20th Century Spanish Novel: From Post-Civil War to Experimentation

The Spanish Novel in the 20th Century

Post-Civil War Literature (1940s-1950s)

The end of the Spanish Civil War ushered in the Franco dictatorship, a period marked by post-war poverty and censorship. This isolation from Europe heavily influenced Spanish writers, who often aligned themselves with specific ideologies.

During the first half of the 20th century, Spain’s isolation and slow economic development resulted in a literary landscape that lagged behind European innovations. Social realism was the dominant genre. However, the 1940s saw the emergence of several key trends:

  • Novel of the Victors: This trend celebrated Franco’s regime and its military achievements. Agustín de Foxá’s “Madrid, de Corte a Checa” is a prime example.
  • Neo-Realism: Influenced by Galdós and Baroja, this trend offered a realistic portrayal of Spanish life. Ignacio Agustí’s “Mariona Rebull” is a notable work.
  • Existentialism: This trend explored themes of unease and angst in post-war society. Camilo José Cela’s “The Family of Pascual Duarte” (1942) marked the beginning of existentialism in the Spanish novel. This novel features marginalized characters, violent situations, and a pessimistic outlook on human existence.

Camilo José Cela

Cela, a Nobel and Cervantes Prize laureate, is a key figure in 20th-century Spanish literature. His work can be divided into three phases:

  1. Existentialism (1940s): Exploring the post-war reality, exemplified by “The Family of Pascual Duarte”.
  2. Social Realism (1950s): Depicting social issues, as seen in “The Hive”.
  3. Experimentalism (1960s onwards): Embracing innovative techniques, such as in “Tenebrae 5”.

Cela’s works often address themes like the Civil War and critique Spanish society with dark humor. Carmen Laforet’s existential novel is also noteworthy.

Social Realism (1950s-1960s)

The 1950s saw a shift towards social realism, reflecting the struggles of Spanish society, including poverty, lack of freedom, and social inequality. Two main trends emerged within social realism:

  • Objectivism: This trend focused on detailed descriptions, minimizing the narrator’s presence, and emphasizing dialogue. It was influenced by American behavioralism and the French nouveau roman. Key features include linear narratives, the importance of environment, and characters representing social classes.
  • Critical Realism: Sharing some features with objectivism, this trend offered a more explicit critique of social issues. Novels often depicted the harsh realities of rural life, the expanding urban working class, and the bourgeoisie.

While the Civil War wasn’t always the central theme, it often served as an interpretive lens. Some prominent authors include:

  • Objectivists: Rafael Sánchez Ferlosio (“The Jarama”), Juan García Hortelano (“Nuevas amistades”), Ignacio Aldecoa (“With the Wind”), Jesús Fernández Santos (“Los bravos”), and Carmen Martín Gaite (“Between Curtains”).
  • Critical Realists: Antonio Ferres, Juan Goytisolo, and Juan Marsé.

Experimental Novel (1960s)

The 1960s witnessed the decline of social realism and the rise of the experimental novel. Luis Martín-Santos’s “Time of Silence” marked this new phase, focusing on formal innovation and experimentation with language and structure. The resurgence of imagination and existential themes characterized this period.

Factors contributing to this development include foreign influences, the success of Latin American literature, and the growing power of publishers. Key characteristics of the experimental novel include:

  • Blurring of Narrative and Argument: The traditional narrative structure loses importance, and the plot becomes less defined.
  • Mixing of Reality and Imagination: The probable blends with the imaginary and the fantastic.
  • Focus on the Protagonist: Secondary characters diminish, and the protagonist, often an amorphous being, takes center stage.
  • Shifts in Time and Space: Traditional notions of time and space are altered.
  • Technical Experimentation: Dialogues, monologues, and descriptions are manipulated to create new effects.
  • Intertextuality: The incorporation of other literary texts creates a complex network of references.

The experimental novel of the 1960s marked a significant shift in Spanish literature, paving the way for further innovation and exploration of new narrative forms.