A Comprehensive Overview of Modern Art Movements
1. Pablo Picasso, Guernica, 1937 [Cubism] [35-41]
American Modernism [1900-present]
2. Stuart Davis, Lucky Strike, 1921, American Modernism [35-35]
3. Charles Demuth, My Egypt, 1927, American Modernism [Precisionism] [35-37]
4. Georgia O’Keeffe, Jack-in-the-Pulpit No. 4, 1930, American Modernism [Intro-4]
5. Alfred Stieglitz, The Steerage, 1907, American Modernism [35-39]
6. Edward Weston, Nude, 1925, American Modernism [35-40]
7. Alexander Calder, Lobster Trap and Fish Tail, 1939, American Modernism [35-61]
8. Frank Lloyd Wright, Kaufmann House (“Falling Water”), Bear Run, Pennsylvania, 1936, American Modernism [Prairie House] [35-79]
Neue Sachlichkeit [New Objectivity] [Germany, c. 1914-32]
9. Max Beckmann, Night, 1918-19 [Neue Sachlichkeit] [35-43]
10. Otto Dix, Der Krieg (The War), 1929-32 [Neue Sachlichkeit] [35-44]
Suprematism [Moscow, 1913-20]
11. Kazimir Malevich, Suprematist Construction: Airplane Flying, 1915 [Suprematism] [35-54]
Constructivism [Moscow, c. 1917-20]
12. Vladimir Tatlin, Monument to the Third International, 1919-20 [Constructivism] [35-70]
De Stijl [Holland, 1917-31]
13. Piet Mondrian, Composition in Red, Blue and Yellow, 1930 [De Stijl] [35-56]
14. Gerrit Rietveld, Schröder House, Utrecht, the Netherlands, 1924 [De Stijl] [35-71]
Abstract Sculpture
15. Constantin Brancusi, Bird in Space, 1924 [Abstract Sculpture] [35-57]
16. Henry Moore, Reclining Figure, 1939 [Abstract Sculpture] [35-59]
American Social Realism [1930-1950]
17. Dorothea Lange, Migrant Mother, Nipomo Valley, 1935 [American Social Realism] [35-62]
18. Ben Shahn, The Passion of Sacco and Vanzetti, 1931-32 [American Social Realism] [Intro-5]
19. Jacob Lawrence, The Migration of the Negro, No. 49, 1940-41 [American Social Realism] [35-64]
American Regionalism [1930-1950]
20. Grant Wood, American Gothic, 1930 [American Regionalism] [35-65]
21. Thomas Hart Benton, Pioneer Days and Early Settlers, State Capitol, Jefferson City, MO, 1936 [American Regionalism] [35-66]
Mexican Social Realism [1930-1950]
22. José Clemente Orozco, Hispano-America (panel 16) from The Epic of Civilization, Baker Memorial Library, Dartmouth College, 1932-34 [Mexican Social Realism] [35-67]
23. Diego Rivera, Ancient Mexico from The History of Mexico, National Palace, Mexico City, 1929-35 [Mexican Social Realism] [35-68]
24. Frida Kahlo, The Two Fridas, 1939 [Mexican Social Realism] [35-69]
International Style [1920-present]
25. Walter Gropius, shop block, the Bauhaus, Dessau, Germany, 1925-26 [International Style] [35-72]
26. Le Corbusier, Villa Savoye, Poissy-sur-Seine, France, 1929 [International Style] [35-75]
27. Mies van der Rohe, Seagram Building, New York, 1956-58 [36-60]
Art Deco [1920-30]
28. William van Alen, Chrysler Building, New York, 1928-30 [Art Deco] [35-76]
Abstract Expressionism [USA, 1940-60]
29. Jackson Pollock, Number 1, 1950 (Lavender Mist), 1950 [Abstract Expressionism] [36-5]
30. Willem de Kooning, Woman I, 1950-52 [Abstract Expressionism] [36-7]
31. Barnett Newman, Vir Heroicus Sublimis, 1950-51 [Abstract Expressionism] [36-8]
32. Mark Rothko, Number 14, 1960 [Abstract Expressionism] [36-9]
33. David Smith, Cubi XIX, 1964 [Abstract Expressionism] [36-14]
34. Louise Nevelson, Tropical Garden II, 1957-59 [Abstract Expressionism] [36-17]
Post-Painterly Abstraction [international, 1950s -]
35. Ellsworth Kelly, Red Blue Green, 1963 [Post-Painterly Abstraction] [36-10]
36. Frank Stella, Mas a Menos (More or Less), 1964 [Post-Painterly Abstraction] [36-11]
Minimalist Sculpture [international, 1960s]
37. Tony Smith, Die, 1962 [Minimalist Sculpture] [36-15]
38. Donald Judd, Untitled, 1969 [Minimalist Sculpture] [36-16]
Pop Art [England and USA, 1960s]
39. Richard Hamilton, Just What is it That Makes Today’s Homes So Different, So Appealing?, 1956 [Pop Art] [36-20]
40. Robert Rauschenberg, Canyon, 1959 [Pop Art] [36-22]
41. Roy Lichtenstein, Hopeless, 1963 [Pop Art] [36-23]
42. Andy Warhol, Marilyn Diptych, 1962 [Pop Art] [36-25]
Superrealism [USA, 1970s]
43. Audrey Flack, Marilyn, 1977 [Superrealism] [36-27]
44. Chuck Close, Big Self-Portrait, 1967-68 [Superrealism] [36-28]
45. Duane Hanson, Supermarket Shopper, 1970 [Superrealism] [36-29]
Neo-Expressionism [international, 1980s]
46. Julian Schnabel, The Walk Home, 1984-85 [Neo-Expressionism] [36-31]
47. Anselm Kiefer, Nigredo, 1984 [Neo-Expressionism] [36-32]
Feminist Art [American and international, 1970s -]
48. Judy Chicago, The Dinner Party, 1979 [Feminist Art] [36-33]
49. Cindy Sherman, Untitled Film Still #35, 1979 [Feminist Art] [36-35]
50. Ana Mendieta, Flowers on Body, 1973 [Feminist Art] [36-37]
51. Faith Ringgold, Who’s Afraid of Aunt Jemima?, 1983 [Feminist Art] [36-41]
Modernist Architecture [international, 1940s -]
52. Wright, Guggenheim Museum, New York, 1943-59 [Modernist Architecture] [36-55]
53. Le Corbusier, Notre-Dame-Du-Haut, Ronchamp, France, 1950-55 [Modernist Architecture] [36-56]
54. Joern Utzon, Sydney Opera House, Australia, 1959-72 [Modernist Architecture] [36-59]
Post-Modernist Architecture [international, 1970s -]
55. Renzo Piano and Richard Rogers, Georges Pompidou National Center for Art and Culture, Paris, 1977 [Post-Modernist Architecture] [36-67]
Deconstructivist Architecture [international, 1970s -]
56. Frank Gehry, Guggenheim Bilbao Museo, Bilbao, Spain, 1997 [Deconstructivist Architecture] [36-69]
Environmental and Site-Specific Art [international, 1960s -]
57. Maya Ying Lin, Vietnam Veterans Memorial, Washington, D.C., 1981-83 [Site-Specific Minimalist Art] [36-62]
58. Robert Smithson, Spiral Jetty, Great Salt Lake, Utah, 1970 [Site-Specific Art] [36-72]
59. Christo and Jeanne-Claude, Surrounded Islands, Biscayne Bay, Miami, FL, 1980-83 [Site-Specific Art] [36-73]
Performance Art [international, 1960s -]
60. Carolee Schneemann, Meat Joy, 1964 [Performance Art] [36-76]
61. Josef Beuys, How to Explain Pictures to a Dead Hare, 1965 [Performance Art] [36-77]
Conceptual Art [international, 1960s -]
62. Joseph Kosuth, One and Three Chairs, 1965 [Conceptual Art] [36-79]
New Media [international, 1960s -]
63. Nam June Paik, video still from Global Groove, 1973 [New Media] [36-81]
64. Bill Viola, The Crossing, 1996 [New Media] [36-83]
65. David Em, Nora, 1979 [New Media] [36-84]
66. Matthew Barney, Cremaster cycle, 2003 [36-1]