Analyzing Textual Fitness and Marquez’s Chronicle of a Death Foretold
Fitness in Textual Analysis
Context and Issuer
- Broader Context: Geographical, temporal, and social setting (academic, journalistic, etc.).
- Issuer Identity: Cultural level, group affiliation, role (specialist, citizen).
- Grammatical Presence: Use of first or third person, singular or plural.
- Issuer-Receiver Relationship: Trust, distance, respect.
Modalization and Style
- Sentence Types: Exclamatory, interrogative, use of verbal periphrasis.
- Certainty Expressions: Probability, evaluative lexical items (hero, true).
- Issuer’s Feelings: Regret, feelings expressed through adverbs and accessories.
- Quantitative Expressions: Many, few.
- Figurative Language: Irony, hyperbole, metaphors.
Textual Structure
- Textual Polyphony: Multiple voices in the text.
- Intertextuality: Texts within the text.
Receiver and Code
- Receiver Identity: Specific or universal, social role, treatment formulas.
- Code: Language varieties (geographical, social), non-verbal codes.
Inferences and Pragmatics
- Encyclopedic Knowledge: Inferences, presuppositions, and implicatures.
- Pragmatic Value: Meaning of specific statements or expressions.
Cohesion in Text
Maintaining Cohesion
- Lexical Procedures: Repetition, synonyms, antonyms, derivatives, reformulations.
- Grammatical Processes: Anaphora, cataphora, nominalization, deixis, tense correlation.
Connecting Ideas
- Connectors: Addition, enhancement, completion, comparison, opposition, concession, restriction, exclusion, incident (cause, result, condition, purpose).
- Textual Organizers
Marquez’s Doom: Fate in Chronicle
Fate in Chronicle of a Death Foretold
One of the key themes in Gabriel Garcia Marquez’s Chronicle of a Death Foretold is fate. Santiago Nasar’s tragic destiny unfolds through an accumulation of errors and unusual circumstances, leading to an inevitable end. The novel shares elements with classical tragedies:
- A violation to be punished.
- Innocence of the victim.
- Violence and barbaric slaughter.
- Presence of a chorus-like element.
Numerous coincidences contribute to Santiago Nasar’s death. Examples include:
- Placida Linero mistakenly locking her son out.
- Cristo Bedoya’s inability to warn Santiago.
- The lack of warnings from those who knew of the plot.
- The mayor and vicar’s failure to intervene.
The novel presents a hyperbolic yet plausible reality, emphasizing the accumulation of coincidences. This recalls works like Don Álvaro o la fuerza del sino by the Duke of Rivas, which also features a series of fatal accidents. Omens, premonitions, and superstitions, particularly those of Santiago Nasar’s mother, also play a role, yet most fail to prevent the tragedy.