Approaches to News Organization in Television
Approach to News
Establishing a point of view is crucial when considering news. This approach involves strategically highlighting data to captivate the audience. Engaging with the subject matter through impact, shared interest, human curiosity, and conflict resonates with viewers.
Personalization is another effective approach, focusing on the impact of events on individuals and social groups. Humanizing news stories with personal anecdotes and perspectives, emphasizing individual experiences, enhances relatability.
Providing the latest information is paramount in news delivery. This often necessitates live connections with mobile units and correspondents at the scene, delivering real-time updates.
Two other approaches are prevalent in television news:
- The Spectacle: This approach prioritizes striking visuals, often driven by commercial interests to captivate the audience rather than deliver comprehensive information.
- Efficiency: This approach focuses on delivering news concisely and clearly, ensuring viewers understand the event’s scope.
Television news reacts to immediate events, demanding quick reflexes to identify and cover key aspects. This necessitates a comprehensive approach, considering various perspectives:
- Multiperspectivism: Modern news incorporates multiple viewpoints. Television utilizes narratives, interviews, features, and supporting documentation to present a multifaceted understanding.
- Personification of News: Television emphasizes the human faces of those involved, showcasing the protagonists and witnesses.
- Personalized Delivery: Each story is presented by a distinct voice, adding a personal touch. Television strategically selects personalities to enhance its brand and competitive edge.
Organization of News
Developing a cohesive narrative requires clear internal separation within a news piece. This necessitates a distinct beginning and end. News stories are not isolated incidents; they exist within a larger context and are subject to various factors.
The program format dictates the structure and presentation of each news segment. Furthermore, news stories are contextualized within the program, often grouped into thematic blocks.
Comprehensive Approach to News
News organization involves sorting facts, opinions, and data based on selection criteria, information retrieval, visual hierarchy, and sequencing.
1. News Headlines
Headlines distill the essence of a news story. Content organization depends on the specific headline format, each with its own nuances, as seen in the analysis of news programs.
News separation is achieved through various means, used individually or in combination: visual breaks, concise titles, alternating voices, and more.
2. Structures of News
A comprehensive news story comprises several key elements:
Header
The story begins by establishing context, grabbing attention, and transitioning smoothly into the main narrative. This typically lasts around 20 seconds.
Development
This section can take on various structures:
- Rigid and Flexible Structures: Flexibility is key, adapting to the specific story. However, television often leans towards an inverted pyramid structure.
- Common Structures: Most news stories follow a basic structure of an introduction and development.
- Chronological and Newsworthy Structures: Some reports adhere to a strict chronological order, while others prioritize newsworthiness, potentially rearranging events for greater impact.
- Sandwich Structures: Stories with multiple aspects can be presented separately or juxtaposed, alternating between different viewpoints.
- Tree Structures: This structure starts with a central element and branches out to cover various aspects, each connecting back to the main theme.
- Complex Structures with Image Repetition: Complex stories may repeat image sequences to illustrate a point comprehensively. However, this can lead to viewer fatigue and confusion.
- Contradictory Structures: Overlaps occur when the narration and visuals present conflicting information, potentially creating dissonance.
Internal Transitions
in a story. There are transitions or links developed mainly by speaking in sentences that are a bridge between two aspects or two events that acquire a certain vinculaciĆ³n.Hay sequential logic transitions brought about by the juxtaposition of plans describing a fact. Transitions can also occur through a visual, like the curtains to separate two or more statements. Close. Usually you have a valuation is important because one of the most impressive components. Many news stories have no end. Cut with the latest data and skips directly to the image of the presenter to introduce the next. In bull cases for the presence of a general plan or traveling shot back. 8.6. The presentation as part of the news. The presentation is part of the organization of the news on TV. It is not just a story but incorporating the voice and memory of the reporter added other values to the news. Q Often the news presenter has yet general, and each is prepared by one or more reporters.
The presentation establishes a hierarchy among the informants. The sense of improvisation that is sometimes given to the reading gives a value domain of communicative fluency.