Art Movements: Post-Impressionism to Surrealism
Post-Impressionism (International, Centered in France)
- Henri de Toulouse-Lautrec, At the Moulin Rouge, 1892-95
- Georges Seurat, A Sunday on La Grande Jatte, 1884-86
- Vincent Van Gogh, Night Café, 1888 (Dutch, working in France)
- Van Gogh, Starry Night, 1889
- Paul Gauguin, Vision after the Sermon or Jacob Wrestling with the Angel, 1888
- Gauguin, Where Do We Come From? What Are We? Where Are We Going?, 1897
- Paul Cézanne, Basket of Apples, c. 1895
- Cézanne, Mont Sainte-Victoire, 1902-04
Symbolism (International)
- Pierre Puvis de Chavannes, Sacred Grove, 1884, France
- Gustave Moreau, Jupiter and Semele, c. 1875, France
- Odilon Redon, The Cyclops, 1898, France
- Edvard Munch, The Scream, 1893, Norway
Fin-de-siècle: Various Styles
- Gertrude Käsebier, Blessed Art Thou Among Women, America, 1899 (Pictorialist photography)
- Auguste Rodin, Walking Man, France, 1905 (Classicism/Naturalism/Impressionism)
- Rodin, The Burghers of Calais, France, 1884-89 (Classicism/Naturalism/Impressionism)
- William Morris, Green Dining Room, South Kensington Museum, England, 1867 (Arts & Crafts Movement)
Art Nouveau (International)
- Gustav Klimt, The Kiss, Austria, 1907-08 (Art Nouveau/Arts & Crafts Movement)
- Victor Horta, staircase in the Van Eetvelde House, Brussels, Belgium, 1895
- Louis Comfort Tiffany, Lotus table lamp, America, c. 1905
- Antonio Gaudi, Casa Milá, Barcelona, Spain, 1907
Architecture at the End of the 19th Century
- Louis Sullivan, Guaranty (Prudential) Building, Buffalo, NY, America, 1894-96
- Sullivan, Carson, Pirie, Scott Building, Chicago, IL, America, 1899-1904
- Alexandre-Gustave Eiffel, Eiffel Tower, Paris, France, 1889
Fauvism (1905-1908, France)
- Henri Matisse, Woman with the Hat (Madame Matisse), 1905, France
- Matisse, Bonheur de Vivre (Joy of Life), 1905-06, France
- Matisse, Red Room (Harmony in Red), 1908-09, France
- André Derain, The Dance, 1906, France
German Expressionism (c. 1905-1940)
German Expressionism: Die Brücke (The Bridge) (c. 1905-13, Germany)
- Ernst Ludwig Kirchner, Street, Dresden, 1908
- Emil Nolde, Saint Mary of Egypt among Sinners, 1912
German Expressionism: Der Blaue Reiter (The Blue Rider) (c. 1911-18, Germany)
- Vassily Kandinsky, Improvisation 28 (second version), 1912 (Russian, working in Germany)
- Franz Marc, Fate of the Animals, 1913
- Käthe Kollwitz, Woman with Dead Child, 1903
- Wilhelm Lehmbruck, Seated Youth, 1917
Cubism (International)
AC = Analytic Cubism; SC = Synthetic Cubism
- Pablo Picasso, Portrait of Gertrude Stein, 1906-07 (Spanish, working in France)
- Picasso, Les Demoiselles d’Avignon, 1907 (AC)
- Georges Braque, The Portuguese, 1911, France (AC)
- Robert Delaunay, Champs de Mars or The Red Tower, 1911, France (Cubism/Orphism)
- Marcel Duchamp, Nude Descending a Staircase, No. 2, 1912 (Cubism)
- Picasso, Still Life with Chair Caning, 1912 (SC)
- Braque, Bottle, Newspaper, Pipe, and Glass, 1913 (SC)
- Picasso, Maquette for Guitar, 1912 (SC)
- Jacques Lipchitz, Bather, 1917 (Lithuanian, working in France) (Cubism)
- Alexandr Archipenko, Woman Combing Her Hair, 1915 (Russian, working in France) (Cubism)
- Julio González, Woman Combing Her Hair, 1938 (Spanish, working in France) (Cubism)
- Fernand Léger, The City, 1919, France (Cubism/Purism)
Futurism (Italy and France), 1909-c. 1914
- Giacomo Balla, Dynamism of a Dog on a Leash, 1912, Italy
- Umberto Boccioni, Unique Forms of Continuity in Space, 1913, Italy
- Gino Severini, Armored Train, 1915, Italy
Dada (International, 1916-23)
- Duchamp, Fountain, 1917 (reconstruction 1930)
- Duchamp, The Bride Stripped Bare by Her Bachelors, Even (The Large Glass), 1915-23
- Hannah Höch, Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch of Germany, 1919-20
- Kurt Schwitters, Merz 19, 1920
Surrealism (International, 1924-39)
- Giorgio de Chirico, Melancholy and Mystery of a Street, 1914, Italy
- Max Ernst, Two Children Are Threatened by a Nightingale, 1924
- Salvador Dalí, The Persistence of Memory, 1931
- René Magritte, The Treachery (or Perfidy) of Images, 1928-29, Belgium
- Magritte, The Human Condition, 1934
- Meret Oppenheim, Object (Le Déjeuner en fourrure), 1938
- Paul Klee, Twittering Machine, 1922