Composers and Musical Forms: Baroque, Classicism, and Romanticism
Leading Composers by Era
Baroque (1600-1750)
Notable Composers:
- Antonio Vivaldi (The Four Seasons)
- Johann Sebastian Bach
- George Frideric Handel
Classicism (1750-1820)
Notable Composers:
- Wolfgang Amadeus Mozart
- Ludwig van Beethoven
- Joseph Haydn
Romanticism (approx. 1830-1900)
Notable Composers:
- Frédéric Chopin (composed works for piano, including Op. 11 and Op. 21 concertos)
- Franz Schubert (took lessons with Salieri; composed over 600 lieder and 9 symphonies)
- Gioachino Rossini (operas: The Barber of Seville, William Tell)
- Giacomo Puccini (Tosca, Turandot, La Bohème)
- Giuseppe Verdi (Nabucco, Rigoletto, Il Trovatore, La Traviata, Aida, Otello, Falstaff)
- Richard Wagner (Der Ring des Nibelungen [Das Rheingold, Die Walküre, Siegfried, Götterdämmerung], Der fliegende Holländer, Tannhäuser, Lohengrin, Die Meistersinger von Nürnberg, Tristan und Isolde)
- Georges Bizet (Carmen)
- Pyotr Ilyich Tchaikovsky (ballets and 6 symphonies, 1 piano concerto, 1 violin concerto, 2 operas) (Swan Lake, Sleeping Beauty, The Nutcracker)
- Johannes Brahms (Hungarian Dances, 2 piano concertos, many lieder)
Characteristics of Each Period
Baroque (1600-1750)
(Final = Death of Bach)
The word “Baroque” comes from the Portuguese word for “irregular pearl.” Key features include:
- Use of violins, violas.
- Major and minor modes; decline of ecclesiastical modes.
- Dominated by melody and polyphony.
- Accompaniments with cello or bass for keyboard instruments.
- The first opera, Orfeo, by Claudio Monteverdi, was created in 1607.
- The first piano was created in 1711 by Bartolomeo Cristofori.
- Both vocal and instrumental music were prominent.
- The first orchestras, primarily string orchestras, arose.
- The suite (a collection of dances) was a common instrumental form.
- Instrumentalists were not yet accompanying singers and improvised frequently.
- Key forms: toccata, prelude, fantasy.
- Appearance of virtuosity.
Classicism (1750-1820)
Inspired by the philosopher Kant’s motto “Sapere Aude” (Dare to Know), the 18th century, or the Age of Reason, saw two key developments that favored composers’ freedom:
- Rise of the Bourgeoisie: Increased economic opportunities allowed people to attend concerts and purchase scores for keyboard instruments, leading to a demand for simpler works.
- Birth of the Modern Audience: Music became more symmetrical, and dynamic expression signs (crescendo, decrescendo) began to be used.
Key forms:
- Sonata Cycle (3 or 4 movements: 1st fast, 2nd slow, 3rd moderate, 4th fast)
- Sonata Form (Parts: 1st exposition, 2nd development, 3rd re-exposition)
- Symphony: A form with 4 movements, played by an orchestra.
Romanticism (approx. 1830-1900)
- Piano used in shorter forms.
- Orchestras used in symphonies and symphonic poems.
- Opera and lieder were prominent.
- Forms included nocturnes, ballads, waltzes, impromptus, scherzos, fantasies, polonaises, preludes, and virtuoso studies (mazurkas).
- Search for suggestive feelings.
- More varied dynamic nuances.
- Music education and conservatories were established (Paris Conservatory in 1793, Madrid Conservatory in 1830).
- Public concert halls were built (not just for aristocrats and the church).
- Expansion of the orchestra.
Typical Baroque Forms
- Toccata: A piece for keyboard instruments.
- Opera: A vocal and instrumental form.
- Oratorio: A vocal and instrumental work based on biblical themes, similar to opera. Handel composed 43 oratorios (including Messiah and Judas Maccabaeus).
- Concerto: An instrumental piece with 3 movements (1st fast, 2nd slow, 3rd very fast). Types include:
- Concerto Grosso: A small group of soloists accompanied by a chamber orchestra (more than 20 instruments). Examples: Vivaldi’s Four Seasons (4 concertos) and Bach’s Brandenburg Concertos (6 concertos).
- Solo Concerto: One instrument accompanied by an orchestra.
- Cantata: A vocal work with chorus. Bach composed 224 cantatas (e.g., Coffee Cantata).
Classical Forms
- Symphony: A form with 4 movements, played by an orchestra.
- Sonata: (As described above).
Romantic Forms
- Lied: A song for solo voice accompanied by piano.