Generation of ’27 & Spanish Literary Renewal
Generation of ’27
: Gongora poets honored at Seville in 27.-Topics: Existentialist (try the man’s existential complexity of his time: love, death, anxiety, pain, universe, God, freedom, margunación, injusticia.Poetas:
-Pdro Salinas (eager to capture the ultimate reality of things, looking at the pure love +)-Jrge Guillen (Esperanza, jubilant song to life) Gerardo Diego (pluraldad subject) – V. Aleixandre (BSC the human lber, love destruction-life vs. death)-L.Cernuda: desire and reality struggle etween)-R.Alberti (love the sea and nature, existentialism, nostalgia). – FgLorca (obsession with death). D. Alonso (desperate search for God) – Altorraguirre and Prados, Miguel Hernandez. Common features: edads similar (Crnuda mong 91Slinas and 1902), high culture and literary intlctual, attitude n deliver it political, Republican, friendship between them (n Residencia de Estudiantes in Madrid), participation in magazines, same teachers (JRJmenez, Ort and Gass, Gmez de la Serna), bring together the traditional (Becuqer, Gongora) and renewal (image irrational vrso free) :1-Group Stages hsta 1927: JRJ pure poetry and avant-ls (dl dehumanization art) 2-De Civil Gurra hsta 28: surrealimso and rehumnización (ngustia, rbeldía) 3-After the war: war and exile, the group falls apart, reflect ethical and social concerns
Rnovador Theater: insprado by currents used europeas.No representarse.Unamuno (Fedra). Alberti (Man uninhabited).
Valle-Inclan: his theater is an adventure in contemporary theater and original theater + XX.Renovó and Spanish of his theater evolucinó hsta the Marquis de Bradomín esperpento.Escribe, then its production is organized in two cycles before the grotesque: — Mythic: Comedy frmado by Barbarian (galicia ke n the prevailing mythical primal forces) and Divine words (walks toward a presentation of conflcto (grotesque)). Ls-Cycle farces: Modernism transit farce Esperpento.La child to the head of the dragon, La Marque Rosalind, Italian farce of love with the king, Farce (caricature of the court) and licensed by the queen castiza (satire of the reign Elizabeth) .- grotesque Theater: s in Luces de Bohemia (20) dnde esperpento (grtesca deformation) becomes sistemático.VI is telling the Spanish tragedy by preventing técnca cualqier dehumanizing emocion.Pra l q sperpento is inspito of uiñol , satire (Quevdo, Goya), cinemudo, theater cmico.Martes d carnival (21), the Deceased Galas (26), The Captain’s Daughter (27). spañol harsh criticism of the army drama parodying hnor Calderonian (1st) The myth of Don Juan (2nd), and dictatorships (3rd)
Grcias Fdrico LRCA (teatr rnovador) d trgedia.Trs the FRSA to Marian Pineda, romantic work is dstinguen l 3-stage drama of Lorca:
The farsas.Desarrollan l 1-dl cnflicto marriage cnveniencia mong the old and the puppet are joven.Las frsas Tragicomedy of Don Cristobal and Rosita Sena, and Retabillo d don Cristobal critca dnde fear and opulent rclama ls the drecho autenticidad.Las frsas for the actors, the prodigious and Love zpatera Perlimplín cn dn Belisa in the Garden (love bastardized by social NTERESTS) .2-Dramas or comedies vanguard “mposibles.” Trs his stay in NY, the escrbio “dl time legend” So spend five years (tma of PERC diem) and The PUBLIVER (surreal) .3-The Trgèdia: height of its production: Blood Wedding (93), Yerma (34) and CSA of Brnrda Alba (36), Dona Rosita the Spinster (35) (tdas: role of repression and moral mjer stablished on your love). Ls topics sbre Lorca is one sitación cntrapuesta structura PPO authority (order, actually) and freedom ppo (desire). -Weddingsd blood wedding INTRES ecnómcos real love and passion (bride capture x his mistress, unleashing k vnganza involving symbolic and allegorical cmo prsonajes Death and Luna.-Yerma: choke mong desire and moral repression maternal.Yerma field xro no desire to be a mother and mta l get her husband to blame for cheating q-The csa of Bernarda Alba: masterpiece. “Drma of mjeres Espña d in villages. Denounces all tyrannies, fight mong autridad PPO (Brnrda) and ppo freedom (Adela).
Modernism: acttud vital rbeldía, eagerness to renew tdos ámbtos d ls dl arte.Se life and literature expressed through poetry. Cractersticas: a-Divrsidad of influences of litertura spñola and frncesa (Parnassianism, Simbolismoy), b-TMAS: poeta.c externality-sensitive eintimidad of Style: sups nrnovación l the metric (dode, Alexandrian, free rhythm), dl language (chroma) and d ls expressive resources (smbolos, metaphors, anñaforas). All (landscape mjer) is a source pra d enjoy hearing tacto.d-Gner view: poetry and prose-writers poética.e: Hispnoamérica: Rubén Darío ( MYORES modernist poet) José Martí.España: brothers Machado, Valle-Inclan JRJimenez