Human Communication: A Comprehensive Guide to Language, Logic, and Writing
HUMAN COMMUNICATION + = FACULTY OF SOCIAL RELATIONS
SIGNIFICANT SIGN LANGUAGE = + MEANING
ORGANIZATION OF ARTS-WORDS-STATEMENT
LANGUAGE. FACULTY OF HUMAN COMMUNICATION
TONGUE. CONVENTION ON SOCIAL SYSTEM, SUBJECT TO THE GEOGRAPHY, VARIES IN TIME AND SPACE
DIALECT, JARGON, SLANG, CALO.
SPEECH = INDIVIDUAL EXPRESSION OF LANGUAGE
SPEECH + LANGUAGE + = COMMUNICATION
Sign language, oral, written, FORMAL, colloquial, vulgar, informal, express, PRINCIPAL.
SIGN LANGUAGE = WORD + CONCEPT
Morphosyntax. STUDY OF EXPRESSIVE LEVEL
Semantics. STUDY OF CONCEPTUAL LEVEL
SEMANTICS + LOGIC + MORPHOSYNTAX = EDITORIAL
ELEMENTS OF LOGIC. FORM OF THOUGHT, METHOD OF REASONING, FALLACIES
WAYS OF THINKING APPREHENSION (PERCEPTION OF THE OBJECT) TRIAL (AFFIRMATION OR NEGATION OF THE OBJECT’S EXISTENCE) REASONING (NEW CONCEPTS FROM THE KNOWN)
METHODS OF INDUCTIVE REASONING (BY ANALOGY, CAUSE AND EFFECT) DEDUCTIVE (SYLLOGISM-DERIVED CONCLUSIONS FROM PREVIOUS TRIALS CALLED PREMISES)
FALLACY = REASONING WITH APPEARANCE OF TRUE FALSE
LOGICAL (THINKING ERRORS)
1-USE INACCURATE AND DISORDERS OF WORDS (ANFIBIOLOGIA, HOMONOMÍA OR MISLEADING, COMPOSITION, MULTIPLE QUESTION)
2-DISPROPORTIONATE INDUCTION OF TRIALS (CAUSE FALSE, FALSE GENERALIZATION, FALSE ANALOGIES)
3-IMPROPER RELATIONSHIP OF TRIALS IN THE DEDUCTION (BACKGROUND FALSE, IGNORANCE OF THE ISSUE, VICIOUS CIRCLE, QUESTION-BEGGING)
EMOTIONAL (POR EMOTIONAL FACTOR IMFLUYEN TO THINK THAT
1-AD HOMINEM (ATTACKS QUESTIONER INSTEAD OF RESPONDING OR REFUTE THEIR ARGUMENT)
2-AD IGNORATIAM (HE HAS SOMETHING FOR TRUE SOLO SHOWS NO PQ IS FALSE)
3-AD MISERICORDIAM (CALLS PIOUS FEELINGS OF THE SPEAKER TO ACCEPT A CONCLUSION)
4-AD POPULUM (EMOTIONAL IMPRESSION AN AUDIENCE TO ACCEPT A CONCLUSION)
5-AD VERECUDIAM (TAXATION AUTHORITY OF THE ABOVE ARGUMENT)
6-AD BACULUM (IMPOSES FORCE TO COMPEL ACCEPT A CONCLUSION)
= SURVEY SEMANTIC RELATIONS BETWEEN THE CONCEPT AND ITS EXPRESSION MATERIAL
SIGN LANGUAGE = CONTENT & EXPRESSION MATERIAL
CONTENT = IMAGE CONCEPT
ACOUSTIC EXPRESSION = OR GRAPHIC IMAGE OF THE OBJECT
WORDS. SYNONYM TITLED, ANTONYM
SUBSTANTIVE. DESIGNATING BEINGS OR OBJECTS.
PRONOUNS. OCCASIONAL MEANING REPLACED THE NOUN.
ADJECTIVES. DESIGNATING QUALITIES OR DEFECTS.
VERBS. MEAN PERFORMANCE (PAST, PRESENT, FUTURE).
ADVERBS. SCORED OR DETERMINING THE WORD, THE ADJECTIVE OR OTHER ADVERVIO.
CONJUNCTIONS. LINKS TO FUNCTION AND SOMETIMES NONCOORDINATING SUBORDINATOR (COPULA, DISJUNCTIVE, ADVERSATIVE, FOLLOW, CONSEQUENTIAL CONDITIONAL)
STATEMENTS
COMMUNICATE WITHOUT WAITING
EXPRESS WISH
POSITIVE OR NEGATIVE RESPONSE REQUIRED
A MORE ACCURATE
EXPRESSING DOUBT
TO EXPRESS MANDATE
GRAMMAR. SPELLING (ORGANIZATION OF LETTERS), MORPHOSYNTAX JOINT (WORD).
NONE = WORD
STATEMENTS = SPEECH
SILABA = ARTICULATE SOUNDS DELIVERED IN A SINGLE VOICE EMISSION
Accentuation. ACUTE (N, S, VOCAL), GRAVES (ANY POINT LESS N, S, VOCAL) ESDÚJULAS AND SOBRESDRÚJULAS (ALL).
SIGNS PAUSE (,,:.), INTONATION (? …!), DISTRIBUTION (_ – *)
PHRASE. JOINT STAFF WORDS WITHOUT WORD
PRAYER. PSYCHOLOGICAL DEFINITION (UNIT OF MEANING AND WHICH INTENTION HAS UTTERED), LOGIC (VERBAL EXPRESSION OF A TRIAL OR SUBJECT-PREDICATE RELATION), GRAMMAR (VERB PERSONALLY AND ITEMS RELATED TO IT).
STATEMENTS. CAN BE COMPLETE WITH MEANING, AND WITH WORD BIMEMBRE PERSONALLY. PRAYER IS A MIXTURE OF ALL THREE.
NO PERSONAL FORMS OF THE VERB. GRAMMATICAL PERSON NOT SPEAK TO PERFORM ACTION
INFINITIVE (AR, ER, IR), PARTICIPLES (ADO, IDO), GERUNDS (ANDO, IEND)
SYNTAX FIGURATIVE. REFERS TO THE FIGURES OF CONSTRUCTION. ALTERATIONS SYNTACTIC SEMANTIC CHANGES THAT DO NOT PRODUCE
HYPERBATON AND ELLIPSES. MAYOR DAN FANCY STYLE
REDUNDANT. DA FORCE AND CLARIFY THE TERM
SYLLEPSIS AND TRANSLATION. STYLISTIC DEVICES ARE TO IMPROVE THE EXPRESSION
VICES DICTION. Results OF THE INACCURACY, INADEQUATE CONSTRUCTION, MISMATCH, MORPHEME MALSONANTE, LACK OF CLARITY, FREQUENT REPETITIONS AND INAPPROPRIATE)
GREAT. INACCURACY IN THE MEANING OF WORDS.
SOLEC. USE OF FOREIGN WORDS, SLURRED SPEECH, SYNTACTIC, NOT TALLYING.
CACOPHONY. REPEAT BAD
ANFIBIOLOGÍA. LACK OF CLARITY.
MONOTONY AND POVERTY. LACK OF VOCABULARY.
DESCRIPTION. DRAWING MADE WITH WORDS
PROSOGRAPHY. PHYSICAL FEATURES
ETOPEYA. MORAL TRAITS
NARRATIVE. REPORT OF INCIDENTS
SUBJECTIVE. THE NARRATOR IS A CHARACTER
OBJECTIVE. THE NARRATOR IS AN OBSERVER
HISTORICAL. FACT OF THE PAST
REALISTIC. FACTS PRESENTED IN THE REALITY
FANTASTIC. WEIRD FACTS
SCIENCE FICTION. FUTURE DEVELOPMENTS
ARGUMENT. It is used TO PERSUADE.
THESIS (CONCLUSION OF A REASONING)
DATA (PREMISES OF THE ARGUMENT)
EXPOSURE. WITHDRAWAL LINGUISTIC FORMS FACTS AND IDEAS
EXPOSITORY TEXT = TEXT NEWS
TECHNICAL DESCRIPTION (MAKING KNOWN AN OBJECT, AND PARTS AND OPERATION OF THEM)
DEFINITION = MEANING OF WORDS (CAN BE DENOTED, EXTENT OF THE TERM; CONNOTATIONS, INTENTION OF THE WORD)
ANALYSIS. ALWAYS CONFUSES IN PARTS
SUMMARY, REDUCING A TEXT (REQUIRED READING, SELECT, WRITE AND COMPARE)
OVERVIEW. REPORT ON CONTENT AND FEATURES OF A BOOK OR PUBLICATION (INFORMATION, REPORTS THE CONTENT OF PUBLICATION, CRITIQUE, EVALUATE, THE CONTENT OF PUBLICATION)
REPORT. EXHIBITION INFORMATION TRANSMITTING METHOD OF A SPECIFIC SUBJECT
PARAGRAPH = UNIT + UNIT FEELING THINKING
TO FORM A PARAGRAPH IS CONVENTIENTE TAKE INTO ACCOUNT DETAILS PICTORIAL CHRONOLOGICAL ORDER OF EVENTS, SAMPLE, DEFINITIONS, LIST, REASON, CASUALLY, COMPARISON AND ANALOGY
+ + PARAGRAPH PARAGRAPH PARAGRAPH = COMPOSITION
ESSENTIAL QUALITIES
UNIT = ONE IDEA DEVELOPMENT
CONSISTENCY = LOGICAL RELATIONSHIP BETWEEN STATEMENTS AND PARAGRAPHS
FOCUS = ORDER OF STATEMENTS
STYLE = SELECTION OF VOCABULARY
TO MAKE A MEMBERSHIP: CHOOSING THE TOPIC, IDENTIFY THE SOURCES OF INFORMATION, DEVELOP DRAFT FRAMEWORK, WRITE THE COMPOSITION, REVIEW
TAKE THESE: COMPETITION LANGUAGE, THOUGHT AND QUALITIES OF A GOOD COMPOSITION
WORK PLAN
COVER
CONTENTS
SELECTION AND DEFINITION OF UNIT
JUSTIFICATION OF THE ISSUE
THE APPROACH TO THE PROBLEM
THE DEFINITION OF THEORETICAL FRAMEWORK
APPROACH OF WORKING HYPOTHESES
DEVELOPMENT SCHEME
SELECTION OF A BASIC BIBLIOGRAPHY
APPROXIMATE CALCULATION OF TIME AND COSTS
FINAL WORK
COVER
CONTENTS
INTRODUCTION
DEVELOPMENT OR BODY
CONCLUSION
REFERENCES
ANNEXES