Katherine Mansfield: Life, Work, and Literary Legacy

Katherine Mansfield: A Biographical Sketch

Kathleen Mansfield Beauchamp Murry (Wellington, New Zealand, 14 October 1888 – 9 January 1923, Fontainebleau, France) was a prominent modernist writer of short fiction. Born and raised in colonial New Zealand, she wrote under the pen name Katherine Mansfield. She came from a socially prominent family. At 19, Mansfield left New Zealand and settled in the United Kingdom, where she befriended modernist writers such as Virginia Woolf. In 1903, she moved to London and attended Queen’s College with her sister.

She returned to New Zealand in 1906. By this time, she had written several poems, sketches, and short stories. In 1908, she returned to London. There, she married, but left her husband that same evening. She became pregnant by another man and went to Germany for the birth. She recounted her experience in “A German Pension” (1911).

After this period, she experimented with technique and refined her art.

The death of her young brother in World War I prompted her to reflect on her childhood in New Zealand, which influenced her later works.

She secured her reputation as a writer with the story collection Bliss (1920). She reached the height of her powers with her 1922 collection, The Garden Party.

In 1917, she was diagnosed with extrapulmonary tuberculosis, which led to her death at the age of 34.

Analysis of “The Garden Party”

Summary

The story recounts an important day in Laura’s house, centered around a garden party. Her mother involves her in the preparations, intending for her to act as another hostess, but primarily to oversee her daughter’s decisions. During the preparations, they receive news that their poor neighbor, Mr. Scott, has died in a horse accident. Laura suggests canceling the party and informs her mother, but her family dismisses the idea. At the end of the party, Laura’s father arrives and shares the news again, expressing his sympathy. They decide to take the leftovers to the Scott family. Upon arriving at the house, Laura is invited to see the body. In that moment, she grasps the beauty of life, contrasting with her mother’s materialistic world.

Author and Narrator

  • Author: Katherine Mansfield
  • Narrator: Third-person omniscient (not Laura)
  • Not autobiographical

Themes

  • Paradise to pain: The story transitions from an idyllic setting to one marked by sorrow.

Topics

  • Social Differences: Laura is aware of the divide between her family and their poor neighbors. She feels empathy for the workers.
  • Illusion vs. Reality: Laura’s family, except for her father, lives in a privileged world, detached from real-world troubles. Laura’s encounter with the dead neighbor exposes her to the harsh realities of life.
  • Sensitive vs. Insensitive: Despite the neighbor’s death, Laura’s family wants to proceed with the party, except for Laura.
  • Life’s Troubles and Death: The story explores the contrast between happiness and the fear of death, highlighting its proximity to life.
  • Becoming an Adult: Laura’s perspective and behavior change as she gains a deeper understanding of life.
  • New Experiences in Life: Laura’s first encounter with a corpse marks a significant moment of realization.
  • Transition: The story depicts a shift from ignorance, innocence, and happiness to pain, knowledge, and a confrontation with real life. Knowledge is gained through the pain of death.

Time

The story’s events unfold within a single day during Laura’s teenage years.