Literary Genres: Lyrical and Narrative Analysis

Literary Genres: Lyrical and Narrative

Lyrical Genre

Lyric: Lyrical works express the author’s intimate and personal ideas and feelings, making them subjective. Lyrical sentiments often include themes of death, melancholy, sadness, and infatuation.

Features of Lyrical Works

  • Extensive use of poetic function.
  • Synonymous with poetry, displaying many stylistic figures.
  • Strong presence of the expressive function, manifesting feelings, visions, and emotions of the author.
  • Concentration and brevity.
  • Low presence of narrative elements (space, time, characters).
  • Often lacks a plot.
  • Emphasizes rhythm and musicality.
  • Supports a wide variety of themes, forms, tones, and intentions.

Verse in Lyrical Works

Verse serves as a vehicle of expression, condensing the intimacy of the poet. A line consists of a set of words with a rhythmic structure written on one line. Verses are grouped to form stanzas and often share rhymes and sizes. Verses can range from 2 lines (paired) to 14 (sonnet). Verses are also grouped in strophic series.

Main Lyrical Subgenres

  • Elegy: Expresses sorrow at death.
  • Eclogue: Expresses feelings of love.
  • Ode: Addresses religious, philosophical, or heroic themes.
  • Hymn: Honors a person, event, or expresses enthusiasm.
  • Satire: Ridicules individual or social behavior.
  • Songs: Popular medieval troubadour songs, often about love.
  • Haiku: Japanese form developing a theme rooted in nature.
  • Sonnet: Commonly used, consisting of two quatrains.

Narrative Genre

Narrative Components:

Narrator and Point of View

  • Omniscient Narrator: Knows everything.
  • Witness Narrator: Objectively describes events.
  • Character Narrator: A character in the story (1st person), potentially the protagonist.

Plot and Narrative Structure

The plot can be real, plausible (believable), or unlikely (impossible). It consists of four parts:

  1. Introduction (presentation of place, time, and characters).
  2. Conflict (creates a problem).
  3. Action (incidents that trigger characters).
  4. Outcome (story ends by resolving the initial problem; can be closed or open-ended).

The narrative structure can be linear (events listed chronologically) or nonlinear (jumps in time, flash-backs).

Characters

Characters should be analyzed according to their presence:

  • Protagonist: Lies at the center of the main action, may be heroic or unheroic; the antagonist is their enemy.
  • Collective Protagonist: No single character stands out.
  • Secondary: Accompany the protagonist regularly.

Also analyzed according to their description:

  • Flat: Do not change their characteristics.
  • Round: Features vary throughout the work.

And finally, according to their function:

  • Actor Network: Involved in a decisive way.
  • Shooting: Companions of low relief.

Dialogue between characters can be direct, indirect, or free indirect.

Time and Space

Time: Considered at two levels: external (hours, days) and internal (narrative rhythm).
Space: Depending on location: closed or open. According to its relationship with reality: real or fictional.

Major Narrative Subgenres

  • Epic Poem: Tells in verse the exploits of a hero.
  • Story: Short with a didactic purpose.
  • Fable: Story featuring animals with a strong educational character.
  • Legend: Report of oral or written tradition of a legendary event.
  • Biography: The life of a real person.
  • Novel: Main narrative subgenre, several characters live events within a frame. Often structured into chapters. Novels include: police, science fiction, horror, historical, adventure, and romance novels.