Literary Language and Figures of Speech

Key Figures of Speech

Phonetic or Repeating Figures

Alliteration: Repetition of similar sounds.

Sound Symbolism: Alliteration imitating natural sounds.

Paronomasia: Similarity between two different words.

Anaphora: Repetition of a word at the beginning of successive clauses.

Epiphora: Repetition of a word at the end of successive clauses.

Anadiplosis: Repetition of the last word of one clause at the beginning of the next.

Epanadiplosis: Repetition of a word at the beginning and end of a clause.

Gemination: Immediate repetition of a word.

Reduplication: Gemination of a single word.

Epanalepsis: Repetition of a word at the beginning and end of a clause.

Epanastrophe: Repetition of a word at the end of one clause and the beginning of the next.

Asyndeton: Omission of conjunctions between clauses, creating a sense of speed. Polysyndeton: The opposite of asyndeton; using many conjunctions.

Epithet: An adjective emphasizing an inherent quality of a noun.

Hyperbaton: Alteration of standard word order in a sentence.

Parallelism: Repetition of similar syntactic structures.

Chiasmus: Parallelism with inverted elements (A-B, B-A).

Similicadencia: Two phrases ending with words in the same inflection.

Pun: Using a word with two meanings for humorous or rhetorical effect.

Ellipsis: Omission of a word or phrase.

Hypallage: Attributing a modifier to a word other than the one it logically describes.

Hyperbole: Exaggeration for emphasis.

Personification: Giving human qualities to inanimate objects.

Antithesis: Juxtaposition of contrasting ideas.

Paradox: A seemingly self-contradictory statement.

Simile: Comparison using “like” or “as.”

Metaphor: Implied comparison without using “like” or “as.”

Metonymy: Substituting a related word for the actual word.

Synesthesia: Mixing of senses (e.g., “loud color”).

Apostrophe: Addressing an absent person or thing.

Epifonema: A concluding exclamation summarizing a poem’s content.

Concept of Literature and Literary Language

Classical literature is the artistic creation of beauty through words. The result is a literary work.

Elements of Communication (Jakobson)

  • Issuer: The author.
  • Channel: The medium (e.g., book).
  • Message: The literary work itself.
  • Code: The language used.
  • Reader: The recipient of the message.
  • Referent: The external reality or context.

Communicative Functions

  • Emotive/Expressive: Focus on the issuer’s feelings.
  • Phatic/Contact: Focus on the channel.
  • Conative: Focus on influencing the reader.
  • Metalinguistic: Focus on the code/language itself.
  • Referential/Denotative: Focus on the referent/external reality.
  • Aesthetic/Poetic: Focus on the message’s form and artistry.

Literary Language

Literary language distinguishes itself from ordinary language through various characteristics:

  1. Use of rhetorical devices.
  2. Connotative meaning (additional layers of meaning).
  3. Multiple interpretations (plurisignification).
  4. Linguistic reworking.
  5. Emphasis on sound and form.
  6. Creation of fictional universes.
  7. Exploration of new expressive possibilities.
  8. Prevalence of the poetic function.

Functions of Literature

Literature serves various functions:

  1. Pedagogical/Moralistic: To teach and instruct.
  2. Art for Art’s Sake: Aesthetic appreciation.
  3. Catharsis: Emotional release for author and reader.
  4. Escapism: To escape reality.
  5. Commitment: To address social issues.
  6. Longing for Glory: To achieve immortality.
  7. Knowledge: To understand human experience.
  8. Literature-Society/Literature-Education: To reflect and analyze society.

Represented Reality

Represented reality is the fictional world created by the author, including characters, events, setting, and atmosphere.

Characters

Characterization Techniques

  • Direct: Explicit description by the narrator or another character.
  • Indirect: Revealed through actions, dialogue, and thoughts.

Character Classification

  • By Level/Relief: Primary, secondary, tertiary.
  • By Characteristics: Static or dynamic; flat or round.

Narrator

  • Participation: Observer (third-person) or participant/witness (first-person).
  • Relationship with Characters: Omniscient or limited.
  • Point of View: Fixed or multiple.

Reader

  • Incorporated: Directly addressed.
  • Appealed to: Implicitly addressed.
  • Ignored: Most common.

Technical Resources

Structure

  • External: Physical organization (chapters, parts, etc.).
  • Internal: Development of the narrative and themes.