Literary Movements: Realism to 21st Century
European Realism
French:
- Stendhal (*The Red and the Black*)
- Balzac (*The Human Comedy*)
- Flaubert (*Madame Bovary*)
English:
- Dickens (*A Christmas Carol*, *Oliver Twist*, *A Tale of Two Cities*)
Spanish Realism
Juan Valera: (*Pepita Jimenez*, *Juanita*)
Clarín:
A Zamora law professor, writer, and regular essayist, he wrote short stories, literary criticism, and novels.
- *The Ruler*: Recreates a plot in Spanish society whose values have degenerated (Vetusta). Themes include adultery, social class criticism, the church, ambition, and Don Juanism. Structure: Three days and three years.
Galdós:
From Gran Canaria, he studied law but focused on literature, aspiring to reflect reality. His language captured the way characters spoke, sober, natural, and with real-life characters. He also wrote thesis novels.
- *Fortunata and Jacinta*: Themes of deceit, sterility, and maternity.
- Spiritualist Novels: (*Mercy*, *The Grandfather*)
Twentieth Century
European Literature:
- Parnassianism: Escape from the world, focusing on formal beauty. Charles Baudelaire (*The Flowers of Evil*)
- Decadence: Finding formal beauty, using rude and vile language. Paul Verlaine (*Saturnine Poems*)
- Symbolism: Deep existence and imagination. Arthur Rimbaud (*Illuminations*)
Modernism
Spanish:
- Poetry: Manuel Machado, Antonio Machado (*Solitudes and Solitudes*, *Galleries and Other Poems*), Juan Ramón Jiménez (*Souls of Violet*, *Sad Arias*)
- Novel: Valle-Inclán (*Sonatas*)
- Theater: Eduardo Marquina (*In Flanders, the Sun Has Not Set*), Valle-Inclán (*Divine Words*, *Bohemian Lights*)
Rubén Darío:
- *Azul*: Initiator of modernism with Parnassian influence; prose stories and poems reflect the author’s innovative concerns.
- *Profane Prose*: A brighter book, full of harmony and love for art, including “Sonatina”.
- *Cantos de Vida y Esperanza*: Marks a new stage with subjective or intimate issues.
Generation of ’98
- Miguel de Unamuno: (*Peace in War*, *Aunt Tula*, *Mist*, *San Manuel Bueno, Martyr*)
- Pío Baroja: (*The Search*, *Zalacaín the Adventurer*, *The Tree of Knowledge*)
- José Martínez Ruiz (Azorín): (*The Confessions of a Small Philosopher*, *Castilla*)
- Valle-Inclán: (*Sonatas*, *Tirano Banderas*, *Bohemian Lights* (theater))
- Antonio Machado: (*Campos de Castilla*, *Solitudes*)
Novecentismo
- Essay: José Ortega y Gasset (*The Dehumanization of Art*)
- Novel: Gabriel Miró (*The Leper Bishop*), Ramón Pérez de Ayala (*Tiger Juan*)
- Poetry: Juan Ramón Jiménez (*Sad Arias*, *Diary of a Newlywed Poet*)
Vanguard
Europe:
- Futurism: Marinetti (*Manifesto*)
- Cubism: Apollinaire (*Caligramas*)
- Dadaism: Tristan Tzara (*Approximate Man*)
- Surrealism: André Breton (*Surrealist Manifesto*)
Spain:
- Creationism: Gerardo Diego (*Manual of Foams*), Juan Larrea and Vicente Huidobro (*The Parachute Trip*)
- Ultraism: Pedro Garfias (*Southern Wing*), Guillermo de Torre (*Propellers*), and Gerardo Diego (*Image*)
Ramón Gómez de la Serna: Creator of *greguerías*.
Generation of ’27
- Pedro Salinas: *The Voice Due to You*, *Reason of Love*
- Gerardo Diego: *Human Verses*
- Federico García Lorca: *Poem of the Deep Song*, *Poet in New York*, *Gypsy Ballads*
- Rafael Alberti: *Where Oblivion Dwells*, *Reality and Desire*
- Miguel Hernández: *Expert in Moons*, *Wind of the People*, *The Unceasing Ray*
Poetry Since 1939
Rooted Poetry:
- Luis Rosales (*The House On*)
- Leopoldo Panero (*Writing Every Minute*)
- Luis Felipe Vivanco (*The Clearing*)
Uprooted Poetry:
- Dámaso Alonso (*Children of Wrath*)
- Blas de Otero (*Fiery Angel*)
- José Hierro (*Quinta of ’42*)
- Gabriel Celaya (*Iberian Songs*)
Poetry of the ’50s and ’60s
- Blas de Otero (*I Ask for Peace and the Word*, *That Which is From Spain*)
- Gabriel Celaya (*What Else is in Silence*, *Their Cards*)
- José Luis González (*Rough World*)
- Jaime Gil de Biedma (*Travel Companion*)
- Claudio Rodríguez (*Gift of Drunkenness*)
- José Agustín Goytisolo
- José Ángel Valente (*Point Zero*)
Latest Trends
- Pere Gimferrer (*Burning Love*)
- Leopoldo María Panero
- Félix de Azúa
- Vanguard: Julio Llamazares
- Traditional Classical: Andrés Trapiello
- Experimental: Luis García Montero
- Poetry of Silence: José Ángel Valente