Literary Narrative Techniques and Styles: A Comprehensive Analysis

Literary Narrative Techniques and Styles

Historic or Heroic Narratives

Epic Poems:

  • Characterized by impersonality and drama.
  • Exists in its own world, lacking critical features.
  • Narrated in the third person.
  • Typically transmitted orally.

Epic Poem (Extensive):

  • Describes actions worthy of remembrance by a community or humanity.
  • Examples: The Iliad, The Odyssey, The Aeneid, La Araucana.

Chansons de Geste:

  • Accounts of heroic legends originating in the feudal world and the Crusades.
  • Reflect the feudal link between lord and vassal.
  • The Crusades are conceived as divinely inspired.
  • Transmitted orally.
  • Examples: Cid, Cantar de Roldán.

The Legend:

  • Based on oral tradition, incorporating some historical facts.

The Romance:

  • Epic-lyric-popular, of anonymous origin, derived from the chansons de geste.

Stories with a Didactic or Moral Function

The Fable:

  • A short story, in prose or verse.
  • Features animal characters representing virtues and vices.
  • Includes a moral at the end.

The Parable:

  • Intended to deliver a moral teaching, but does not involve animals.

Focalization

Zero Focalization:

  • Omniscient narrator with a direct view of events.
  • Knows everything about the characters.
  • Objective viewpoint.
  • Told in the third person.

Internal Focalization:

  • Narrative recounted through a character, either protagonist or secondary witness.
  • Subjective perspective, related to one person.

External Focalization:

  • Narrator is located outside of the events and characters.
  • Objective viewpoint.
  • Told in the third person.
  • Knowledge is relative.

Narrative Styles

Direct Style:

  • Characters engage in dialogue.
  • Quotation marks and hyphens distinguish this style.

Free Direct Style:

  • Told in the first person.
  • No explicit narrator, only the speaker.

Reported Speech:

  • The narrator introduces the words of others.

Free Indirect Style:

  • Employs an omniscient narrator.
  • Narrates from the consciousness of the character.

Narrative Techniques

Mounting:

  • In film, used for spatial and temporal movement.
  • In narrative, achieved through multiple narrators and points of view.

Racconto:

  • Extended reverse in time.

Flashback:

  • Brief memory.

Premonition:

  • Vision of the future.

Flash-Forward:

  • Brief snapshot of the future.

Narrative Techniques Influenced by Psychology

Interior Monologue:

  • Voice of the mental contents of the character.

Soliloquy:

  • Dialogue with oneself, more logical and organized than a monologue.

Stream of Consciousness:

  • Lacks logical structure, is chaotic.
  • The character says whatever comes to mind at that moment.

Narrative Worlds

  • Real: Can happen in reality.
  • Mythical: Creation of the world and man; time of origins.
  • Wonderful: Governed by its own laws (e.g., Fairy Tales and Legends).
  • Fantastic: Starts in the real world, then experiences a break from reality.
  • Utopia: An ideal world that cannot exist.
  • Science Fiction: Set in the future, focuses on technology and science (also called not utopian).
  • Dream: World ruled by the logic of dreams.
  • Real-Wonderful World: Fantastic events are part of reality and cause no surprise.