Post-Impressionist and Impressionist Art Analysis
Yellow Christ (postimpressionist):
It is a painting on canvas. It fully appreciates the predominance of drawing over color-the colors are pure high chromatic effect. It opens the way to the movement of fuvismo where the color will become the vehicle of expression. The figure is flat with no volume. Shows a clear influence of Japanese prints. It is a figure drawn color filled. Uses yellow mixed with orange and green, in parallel with Christ. Christ becomes the protagonist of the scene, with that ccolor yellow lines very sharp contours, following the technique of cloisonné enamels and insipirada in stained glass. There is no perspective, no third dimension. Colour is the protagonist of the box verdadedero an exceptional color intensity and great expressive force.
Estrrellada Night (postimpressionist):
It is a painting on canvas. Represents a night table painted during his stay in a psychiatric. In the table, the stars shine and twinkle and seem to devour the darkness. With respect to the brush strokes painted with parallel qe twist back on themselves. The brushstrokes are nervous and black lines communicate and express the anguish of the artist. There is a clear predominance of paint stain ocntornos dodne the town houses are formed by thick dashed lines l’dark, like the mountains qe. Furthermore there is also movement, is a work of great rhythm plasma qe author’s concerns without angustira and despair. Stresses expressionism through the brush, the colors and twisted shapes of nature. This reflects the mood of the author. Forms twist both the sky and the trees on earth. Everything seems qe turns and moves. The stars are elongated and the two cypress trees like two flames one large and one smaller. The work possesses a vertical dinan qe counteracts the horizontality of the stars. The verticaldad of trees is in equilibrium with the horizontality of the sky. Qe colors used are purple, yellow, purple and qe are the eufírco mood of the artist.
Impression Rising Sun (Impressionism):
It is an oil painting on canvas where light is the true protagonist of the picture. Item to note is the sunrise on the red sea where the sun rays are filtered and reflected on the sea water. On the sea surface are a pair of oscurasembarcaciones qe describe a diagonal. In the background, and dedibujados yachts are outlined, the qe is identified by their masts. The light in the work is captured at the time of sunrise, vibrating colors. The color does not exist and since qe tampcoo froma change the function of the light. The objects are just as qe light hits them. The composition is dominated by the ranges of blue and pink and blue for the sea qe matiizado red and pink tone qe radiate the sun. The work is working outdoors to capture the changing light over the landscape. The shadows are not black but colored with tonaldiades complemntarias spaces. Tenebrism disappears. With respect to the stroke is very short and loose, often overlapping. The predominant color stain to get truth a light. The stain is pasty and thick. Qe exsite noteworthy figure. The strokes replaced the drawing, thus missing the line in its full sense. The technique used for the work is of some toqees juxtaposition of colors to produce qe forms are seen within a certain distance. The viewer is no longer a passive, it is presented as something unfinished, it is necessary to mentally reconstruct qe. This is one of the consequences of Impressionism.
The thinker. (Impresionismo.):
A free-standing sculpture and a seated bronze figure and figurative. Depicts a naked man, withdrawn into himself and not related to the xterior, alone. Her arms are resting on the knee in pensive attitude, her head resting on one of his hands. Appears to be an attitude of rest, breathe Kapteyn great tension in his posture. The thinker Transmit uan sentimientosy important psychological burden. The character is imperturbable, fighting a tough internal battle. Fueerza expresses this through a tense muscles. In the embodiment of this work is perceived uptake by the artist, the movement content, facial expression etc. On the other hand there is a gap between the cult of the upper and lower extremities, as seen in the sculpture of classical Greece. Can be seen clearly on contrasposto work the arms. It has captured well the anatomical aspects in the back, arms and perineum, muscles, skin, etc. To highlight the importance of light illuminates the whole naked qe. Focusing on the issue this eCulture was part of an ambitious project denomidano the gates of Hell, qe of this figure was the central work, so we see Kapteyn individualized. Some anatomical aspects of the body, the author draws on some works of Michelangelo or the same classical sculpture. There are features impressionists (light modeling technique) and expresionitas (material, texture, nature, etc..)
Card Players (neo-impresionismo.):
It is a painting on canvas. The protagonists of the play are the peasants of a village and a gardener. The two figures are seven to both sides of aAs peqeña qe table are based on the elbows. Bottle glass gives way to the bottom, qe is sensed by a sketchy landscape. The two people are concentrated in the game, Cezanne qe thing on this subject, capturing their expressions. The men are played with a hat. Conviernte viewer is one of the frequent observers qe provide these items in the taverns. The artificial light is manifested in the shadows, especially in the white reflection of the bottle. The protagonist of this painting is the color qe floods every corner of the canvas. Lord of the right wears a yellowish gray shades chaqeuta qe is continued in the pants of his partner. Eeste wears a purple jacket qe turn is mixed with different colors .. The background of the work is achieved through a mixture of red tones abound Kapteyn (table cloth). Qe include the application of color is done based on fluid pincladas confroman qe facets. A difrencia of Impressionism in the work premium volume and shape on the light, getting the volume with color.