Post-war Valencian Theater to Contemporary Playwriting
ITEM 11 RENEWAL THEATRE POST-WAR YEARS-70
During postwar ban all non-Spanish language causes Valencian Catalan theatrical background and can not continue to lack public. 60 desvetlament Catalan theater with creation of the Association of Barcelona and Drama School of Dramatic Art Adrià Gual. Manuel Pedrola Brossa and enter the theater and the avant-garde nonsense existentialism influenced by the neo-realism and the techniques of distancing Bertol Brecht’s epic where the actor has to convey emotions and the public has not been identified . Between 60 and 70 born theater independent section of the commercial circuits, based on critical social and political renewal of theatrical techniques. Wanted a new audience that understands and works revalued figures director, producer and performer. In this line of companies listed as “minstrels,” the comedians “,” Rain theater “and” tricycle “.
SUBJECT 12 play Manuel de Pedrolo
The most important stage of his theater is the 50 which makes an accurate reflection of human existence which asks for aspects such as human solidarity, conformity, rebellion, death … Works such as “heirs of the chair.” His characters inhabit a closed world separated from the outside, empressonats, some fighting, others by fear s’acostumbren abroad. In the scene observed closed and distressing situations, being subjected to routine actions and useless. Later, concerned about the human condition in a transcendent sense and commitment to a country and a specific time inheriting the existential themes and serves as the forms of the absurd. The theater is pessimistic, the characters doomed to live inside their world trying to explain it, but not forgetting the world of others, trying to discover Besides the origin. Referring to his earlier works in the 60s wrote a theater more explicit.
SUBJECT 13 BASIC CHARACTERISTICS OF THE CURRENT playwriting
70 Principles appeared independent theater groups, creating groups and assemblies distantciant to the formal structures of the Western tradition. The concept of dramatic text had changed, now the whole group is involved in the creation of the show and its production. Freed of old conventions and challenged procedures, dialogs, space, time, conflict … It also happens the symbiosis between author, director and actor. In the area of Valencia late twentieth century was the consolidation of new authors with works inspired by historical characters and events in Valencia. Rudolph Sirera is a key stage in the renewal of Valencia contemporary drama with an abundant production (“the poison of the theater”), various adaptations and television series. In Catalonia are several trends, analysis of a dramatic situation ironic and humorous, not very interested in the problems of today and focused on individual conflicts, as well as writers who reflect on the problems of today.
SUBJECT 14 THEATRE Josep Maria Benet and its relation to the audiovisual world
Only author who has achieved his generation released regularly, developing and maintaining a certain aesthetic and ideological complicity with an audience that understands. The theater is located on the approaches of the young stage directors such as Sergio Belbel, for which it has been a benchmark. The evolution of theater is this: social realism of the initial search of a mythical land (lost songs) Drudània work cycle, the return to realism intimacy with the characters (Berenàveu in the dark), the approach to drama by Harold Pinter and the return to intimacy where communication becomes impossible.His theatrical conditions, and deformed shapes the characters and their environment. Finally has adapted screenplays, several plays and texts is a fundamental reference in the fictional teleplay, which he started doing scripts for TVE and TV3
SUBJECT 15 REPERCUSSI or testing FUSTER JOHN IN THE CONTEXT OF THE SEASON
The trials are literary texts intended as personal reflection on various topics related to the human condition. Within this genre leads Joan Fuster, starting from everyday life to deep reflection from a skeptical and ironic, with great clarity and a record estàndart provocative and satirical tone. His essays are classified as humanistic (“Sagittarius”), studies of literary history devoted to classical and medieval Valencia finally sociopolitical which highlights the work “We Valencia” where questions comprehensively about the collective and Valencia to express the necessity of connection between people speaking and the pursuit of normalization. This work became a catalyst for university decided to end the provincialism connstruir for a modern national culture in Valencia. His nationalist conception led him various problems and even an attack.
Joan Francesc Mira
Item 16: REFLECTION ON REALITY Contemporary essays
Apart from novelist and translator, is an essayist that leaves plenty of anecdotes led the reader through a common language but not specialized literature. In his articles and appreciated the irony funny or angry tone that make the final reflection, a converça the reader where you want to get involved in this operation. Abound issues such as nationalism, culture and power, the creation and evolution of identities and symbols, the importance of language in the collective consciousness and the ability to manipulate these elements into concrete benefits. The core issue is that the shape of ientitat in its political use. You could say that an author committed to his country and culture. Many authors consider his reflections on nationalism universal character because all the elements of conflict are similar across cultures. Showed that the problem of culture and national status is not different from other peoples.