Renaissance and Reformation: Key Developments and Figures

Instruments of Royal Power in the Renaissance

Unified under the king’s authority, the country saw improved administration, the introduction of a standing army, and the organization of international relations through diplomacy. Territory was unified through war and marriage.

Causes of the Reformation

Disparagement of the Clergy

The Popes were more concerned with earthly ambition than fulfilling their role as heads of Christendom. Bishops lived luxuriously and often did not reside in or visit their dioceses. The lower clergy lacked preparation, did not preach to the faithful, and often led lives not in line with Christian morals. Many religious orders did not follow their own rules.

Vices of the Church

Among the vices were the patronage of clergy by their relatives to fill positions, the concubinage of the clergy, the sale of ecclesiastical offices, and the charging for administering the sacraments or the forgiveness of sins through the purchase of indulgences.

Lutheran Reformation

Started in Germany by Martin Luther.

Justification by Faith

People are not saved or condemned for their good or bad works, but only by faith, which is a free gift of God.

Free Interpretation of the Bible

The Holy Scriptures are the only source of revelation and the only foundation of faith.

Other Principles

Acceptance of only two sacraments: Baptism and the Eucharist.

Humanism

Classical Antiquity as a Model

Philosophical, literary, scientific, and artistic works from Greco-Roman times were studied, disseminated, and adopted as a model of intellectual creation.

Anthropocentrism

Man was placed at the center of the world (anthropocentrism), as opposed to the medieval world where God was the center of all things (theocentrism).

Characteristics of the Renaissance

Inspiration in Greco-Roman Antiquity

Architects and sculptors were inspired by classical architecture and sculpture, depicting mythological themes, landscapes, portraits, and scenes of life.

Recovery of Anthropocentrism in Art

Buildings were made to human scale, and human beings became the protagonists of sculptures and paintings.

Art Modeled on Nature

Representations were based on idealized reality but sought beauty.

Improved Social Consideration of Artists

They were no longer anonymous artisans but educated people with intellectual training in various disciplines. Prominent artists signed their works and achieved fame and wealth.

Art Patrons

Major art clients were kings, princes, popes, nobles, or rich bourgeoisie. These patrons protected the best artists of the time in their courts and used art as a form of personal prestige.

Architecture of the Italian Renaissance

Characterized by the use of classical elements: stone material, Greek and Roman classical orders, round arches, flat roofs, domes, or barrel vaults.

Most Prominent Buildings

Churches with a Latin cross plan or palaces with a central horizontal structure divided into several floors and windows topped with pediments.

Fifteenth Century

Filippo Brunelleschi designed the dome of the Cathedral of Florence. Leon B. Alberti designed the façade of the church of Santa Maria Novella.

Sixteenth Century

Michelangelo continued the design and work on the Basilica of Saint Peter’s in the Vatican.