Spanish Literature: 18th and 19th Century Authors and Movements

Spanish Literature: 18th and 19th Centuries

Key Authors and Their Works

This overview covers prominent authors and literary movements in Spain during the 18th and 19th centuries.

  • Moratín: (Theater) El sí de las niñas, La comedia nueva o El café.
  • Cadalso: (Prose) Cartas marruecas, Noches lúgubres.
  • Espronceda: (Poetry) Canción del pirata, El estudiante de Salamanca, El diablo mundo.
  • Duque de Rivas: (Drama) Don Álvaro o la fuerza del sino.
  • Zorrilla: (Theater) Don Juan Tenorio.
  • Larra: (Prose) Artículos de costumbres (Vuelva usted mañana, El castellano viejo, Casarse pronto y mal), political articles, and literary criticism.
  • Bécquer: (Poetry) Rimas; (Prose) Cartas desde mi celda, Leyendas.
  • Rosalía de Castro: (Poetry) En las orillas del Sar.
  • Galdós: (Prose) Episodios Nacionales, Fortunata y Jacinta, Miau; (Theater) El abuelo.
  • Clarín: (Prose) Short stories and novellas (¡Adiós, Cordera!); Novels: La Regenta, Su único hijo.

18th-Century Literary Movements

The 18th century in Spanish literature was marked by several distinct movements:

  • Postbarroquismo: A degeneration of the Baroque style, with authors mimicking the concepts and language of Culteranismo and Conceptismo, but with lower quality. Key Author: Torres Villaroel.
  • Neoclassicism: Influenced by French rationalism and culture, emphasizing reason, good taste, and classical rules. The goal was to teach while delighting. Key Authors: Feijoo and Jovellanos; Iriarte and Samaniego (Fables). Predominantly philosophical and critical writings.
  • Prerromanticism: A precursor to Romanticism, emphasizing sentiment over reason. Characteristics include sentimentality, emotion, the importance of the individual, and melancholia. Landscapes begin to appear in literature. Key Author: Cadalso (Noches lúgubres, Cartas marruecas).

Romantic Literature (19th Century)

Key Characteristics:

  • A greater presence and affirmation of the self (individualism), and an exalted, troubled soul.
  • A new sensitivity towards landscape and nature, often depicted as grim and unleashed.
  • A higher appreciation of history and national literature, seeking lost values.
  • A desire to escape in time or space.

Romantic Poetry (Espronceda)

  • Increased subjectivity, expressing intimate feelings, emotions, and experiences.
  • Nature and landscape reflect the poet’s soul.
  • Varied use of meters and stanzas.
  • Common themes: love, religion, history, death, etc.

Narrative Poetry

  • Content: Poems inspired by earlier Spanish literature, focusing on historical events in the Middle Ages or the 16th century.
  • Versification: Traditional romance as the strophic form.
  • Style: Bright and colorful, with many images and poetic devices to strengthen the narrative expression or description of characters.

Romantic Theater

  • Rejection of Neoclassical rules (unity of place, time, and action).
  • Reflection of various social concerns.
  • Predilection for historical and legendary drama.
  • Mixing of comic and tragic elements.
  • Playwrights looked to themes and characters from classical theater.
  • Works divided into five acts.
  • Romantic heroes and heroines are full of mystery and rebellion, longing for freedom, subject to strong feelings, and often marked by a tragic destiny.
  • The same work can be written in prose and verse, with great metrical variety.
  • Abundant use of burial or night settings.