Spanish Literature: 1950s to Generation of ’27

Spanish Literature: From the 1950s to the Generation of ’27

The Novel of the 1950s: Social Realism

Key Features:

  • Literature as a reflection of social situations.
  • Aim to raise awareness of social problems.
  • Focus on topics such as censorship, poverty, rural life, war, and the civil exodus.
  • Narrative style characterized by “objectivism”: limited dialogue and a detached narrator.
  • Use of colloquial language.
  • Collective protagonist representing the social class.
  • Concentration of time and space.
  • Structural and stylistic simplicity.

Main Authors:

  • Camilo José Cela: The Hive presents the degradation of post-war Spain with a collective protagonist and non-chronological order.
  • Miguel Delibes: The Road depicts rural life. Other works include The Heretic and The Rats, showcasing keen observation of reality.
  • Rafael Sánchez Ferlosio: Essayist and author of The Jarama, employing objectivist techniques.

The Novel of the 1960s: Experimentalism

This decade begins with Luis Martín Santos’s Time of Silence, initiating a period of more complex novels.

Key Features:

  • New narrative perspectives and narrators.
  • Use of interior monologue to explore characters in depth.
  • Non-chronological order.
  • Presence of characters with identity problems.
  • The plot becomes less important.
  • Renewal of literary language, with copious vocabulary, making for a more challenging read.

Authors:

  • Luis Martín Santos: Combined existential concerns with a focus on Spain’s backwardness. His style is dense and refined.
  • Camilo José Cela: San Camilo uses interior monologue in the second person, portraying pre-war Madrid.
  • Miguel Delibes: Five Hours with Mario features a monologue by Carmen at her husband’s funeral.
  • Juan Goytisolo: Marks of Identity explores the search for meaning in life.
  • Juan Marsé: Last Evenings with Teresa critiques the Catalan bourgeoisie.

The Novel from 1975 Onward: Return to Traditional Storytelling

A demand for more entertaining novels emerged, leading to varied production without a fixed style.

Key Features:

  • Return to a more traditional narrative and plot structure.
  • Authors reflect on their personal worlds, familiar spaces, or exotic environments.
  • Emphasis on well-written works, without seeking excessive innovation.
  • Realistic style with short, clear sentences for easier readability.

Trends and Authors:

  • Historical Novel: Eduardo Mendoza’s The Truth About the Savolta Case.
  • Intimate Novel: Lyrical recreations of childhood and youth, such as Adelaida García Morales’s The South.
  • Neo-realism: Set in familiar areas, like Miguel Delibes’s Diary of a Retiree.
  • Detective Novel: Strong intrigue, exemplified by Antonio Muñoz Molina’s Full Moon.
  • Political Critique: Novels reflecting ideological disillusionment of the 1980s and 90s, such as Juan Madrid’s Numbered Days.

Generation of ’27 Authors

Key Authors and Works:

  • Gerardo Diego: Introduced avant-garde poetry.
  • Jorge Guillén: Celebrated the beauty of the world in Cántico and addressed social problems in Clamor.
  • Vicente Aleixandre: Nobel Prize winner; saw poetry as a means of merging with creation. Key work: *Swords Like Lips*.
  • Rafael Alberti: *Sailor on Land* expresses nostalgia for the sea through neopopularism. *About the Angels* expresses inner anguish, and his later poetry became politically engaged.
  • Pedro Salinas: *The Voice Due to You* and *Love Reasons* explore romantic relationships as the meaning of life.
  • Luis Cernuda: Focused on themes of love, beauty, and solitude in *Reality and Desire*.
  • Dámaso Alonso: *Sons of Wrath* reflects post-war anguish and chaos.
  • Emilio Prados: Combined surrealism and tradition, cultivating existential themes in works like *Closed Garden*.