Spanish Poetry and Theater Trends: Post-War to Pre-War
Spanish Poetry and Theater Trends
Poetry After G.27
Latest styles = G.27 rescued from the 50s … Topics: rexaza the previous delo concptual cold and for the intimacy and emotion. urban issues, life Cottian, AUTOBIOGRA tone, feelings of love, loneliness .. Prefers + ekilibrada poetry of rhetoric. colokial language. classical meter, free verse.
Trends:
- Neosurrealism: G.27 and related posgu.
- Neorromanticism: Issues (noxe, death)
- Poetry of Silence: Valente’s poetry continuous, short verse, leave verbal exes.
- Epica: Retrieves the nature and the memory of a past. Sensualist eroticism, body, noxe, homosexuals.
- Poetry of experience: a public buska + amplio. Temas: everyday life, urban reality, step T. Style in the lenguajeconversacional and the dramatic monolgo.
Key Figures:
- Luis G Montero: Urban, cafe.
- Jon Juaristi: social trend.
- Miguel d’Ors: autobiographical, religious and family themes.
Theater Until the War
UNTIL THE WAR: There have been attempts in restoration of the theater scene, dominated by the realistic drama and Jose Echegaray. Were aimed at European trends, the poetic drama. Attempts at restoration were not muxo exito. Cn Trends
Commercial Theater Success:
- Jacinto Benavente: work characterized by restraint. realism, high bourgeoisie.
- Teatro comico: preferred by the public, included music, dancing, singing. Ex HRMS Alvarez Kintera.
- Theater in verse: FOLLOWED THE T. Frances. H ° and fantastic themes and employment meters modernist
/ First attempts at restoration were given x Unamuno and Azorin his naked theater antirealism. Only highlighted Valle-Inclan and Lorca. Great interest escenofrafia. Publico Jacinto Benavente, bourgeoisie. Composes a chronic, kind of concerns and using ironies bourgeois prejudices. His dramas are an instrument of illusions and escapes. muxo dialogue, natural. replaces the action by the narrative. cold moments outside scene.
Classification:
- Interior bourgeois citizens Lounges and gabinetes.
- Interiores cosmopolitan yachts and palaces.
- Interior provinces, fictional town.
- Cabins: kitchen, dining.
Vested interests, work big hit, is located within the field of the farcical. Topic: power of money. emphasizes fluidity and the height of poetic dialogue. satire creates a universal character. The malkerida, highlights the sense of honor, rural dramas, characters = campesins, abla popular dislocation between passion and pohibicion.
Teatro Comico:
Teatro comico: 1st decade of the XXth century comic genre lyrical elements together. Purpose: entertainment.
Genres:
- With Music:
- Operate: frivolous matters, muxa importance to music and visual aspects.
- Review: elemét eroticos.
- Vodemil: comedy ligeray Pikante complex.
- Without Music:
- Toy comico.
- Sainete: love, jealousy, honor, power.
- Astracan: comical blunder.
- Kintera Alvares Brothers: predominance Works Andalusian life in a friendly and superficial action muxo no complications and use of dialogue funny. Ex: The patio.
- Pedro Muñoz Seca and Astrakhan. astracan creator. k genre as represented in Easter break from serious theater.
- Carlos Arniches and grotesque tragedy. 2 New ways: Sainete gortesca extensive and tragedy: comedy plays with gravity pofunda external content, reporting of the national reality, eg, Los Cacike. Dstaca
Theater Renewal Attempts
Theater Renewal Attempts Unamuno, Azorin, Jacinto Grau, Miguel Hernan, Albert and Rafael Max Aub. Unam naked Theater: bringing the public an essential drama away from so many scenes. I choose a theater naked character X k suppression effects were not dependent on the word (costumes) Its supposed Tearo the reduction of the characters, passions, and eskematismo of the action. Seeking reality through the theater, became a conociminto method. Its production = 2 minor pieces and 9 dramas (Brother John).
Antirealism:
Antirealism Azo The theater of experimentation and buskeda of another reality. He fought the natural aesthetics and a theater antirealist luxo, ke inkluyera what subcosciente and wonder. Transfo considered necessary for the technique and dramatic structure. Dialogue customs.