Literary Realism: Characteristics and Evolution

Literary Realism: A Deep Dive into 19th-Century Literature

Origins and Definition

Realism was a literary trend that developed in the second half of the nineteenth century. It was characterized by a desire to represent reality objectively. Stendhal’s novel, *The Red and Black*, captured this sentiment with the line, “The novel is a mirror walking along a road.” True realism aimed to reproduce total reality: social, political, economic, and cultural changes.

Realism, therefore, is the tendency for artistic

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Caravaggio: Realism and Dynamism in Religious Art

Caravaggio’s Unique Artistic Approach

David is represented almost like a child, and this is represented as a vulgar person. He is natural, and is presented with black nails, dirty clothes, etc., mixing reality with unreality. Blend refusing titrations; watch this space.

Supper at Emmaus (Titian and Caravaggio)

We have a static address to the movement; Titian idealized realism as if they were wealthy, with silk dresses, and behind a richly dressed servant, rather than a landlord. The composition of

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Baroque Architecture and Sculpture: Key Features

Baroque Architecture: Characteristics

Baroque architecture, flourishing from the early 17th century to the mid-18th century, is characterized by a dramatic and opulent style. It emerged as a powerful expression of the Counter-Reformation, aiming to inspire awe and convey the power of the Church.

  1. Emphasis on Contrasts: Baroque architecture is defined by strong contrasts, both in the use of different materials (chromatic contrasts) and in lighting (alternating areas of light and shadow – chiaroscuro)
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Film Noir: Unveiling the Dark Side of Cinema

Key Elements of Film Noir

Film noir is characterized by several elements, including artistic and cultural influences, iconography, mood and characterization, visual style, the ‘hard-boiled’ tradition, narrative and iconography, a master plot paradigm, conditions of production, paranoia, and patterns of narration. Despite these difficulties and differences, Walker notes that noir ‘continues to fascinate’. This element of fascination has also been noted by Cowie, who reiterates the problematic

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Love and Failure in Barcelona: Three Generations

Theme: Love

The research focuses on the love lives of the protagonist characters. The research results are not as expected. It is also largely a novel about failure, both personal and collective.

Argument

Mundeta Jover, married, only explains how her life was altered by an abortion in a relationship with a student, “Victor loved”, the birth of her daughter until the death of her husband. Mundeta Ventura shows the difficulties that now exist to move in society, her courtship with Ignacio Costa, and

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Caravaggio’s Death of the Virgin: Analysis

Death of the Virgin by Caravaggio

Chronological Placement, History, and Culture

This work can be dated from the year 1605 to 1606.

Stylistic Affiliation

It belongs to the Italian Baroque style.

Formal and Conceptual Characteristics

  • Technique: Oil painting
  • Support: Canvas
  • Style: Openly pictorial, with color dominating the picture.
  • Composition: Complex, featuring curves and diagonal lines in various directions, including stripes. It is asymmetric and atectonic.
  • Compositional Geometry: No geometric composition.
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