Carracci’s Masterpieces: Religious and Mythological Art
Correggio’s *Allegory of Virtue* (1532-34)
In Correggio’s *Allegory of Virtue*, the figure of virtue replaces a tomb. A seated figure is depicted, with only a foot visible. There is a disconnect between the burst of glory above and the scene below. Correggio seemingly intended to depict a rebirth, bridging the two sections.
Annibale Carracci’s *Appearance of the Virgin to Saint Luke and Saint Catherine* (1592)
This large painting, signed and dated, was commissioned in 1589 by the association of notaries
Read MoreMasterpieces of Neoclassicism and Royal Portraiture: David and Goya
Oath of the Horatii: A Neoclassical Paradigm
There are countless interpretations of Oath of the Horatii, a seminal work by Jacques-Louis David, often considered, alongside his Death of Marat, a cornerstone of French art and a quintessential example of Neoclassical painting. The work draws inspiration from Corneille’s theater and the paintings of Poussin. During this period, theater in France was undergoing a revival, serving as a platform for moral instruction. Stories from antiquity were used to
Read MorePiet Mondrian’s Composition and Rodin’s The Thinker
Composition in Red, Yellow, and Blue by Piet Mondrian
Piet Mondrian’s paintings are abstract oil works on canvas, typically measuring 0.75 x 0.65 meters. Composition in Red, Yellow, and Blue is an abstract composition of geometric shapes on a white background, with squares and rectangles of different colors and sizes. The pure colors are crisp, bright red, yellow, and blue, alternately distributed. According to Mondrian, no metric power relations should exist between colors, but such relations had
Read MoreEvolution of Design Specialization: From Craft to Communication
The Origins of Specialization in Design
Project work, the drawing and accompanying triad of design conception, dates back to the late nineteenth century, which complicates the design field. During that time, “design” was a generic term referring to any project expressed through the drawing of objects in the habitable world. The beginnings of specialization among the various branches of design are consistent with the development of industrial culture, and with it, the beginnings of the separation
Read MoreMajor Art Movements and Artists: 19th and 20th Centuries
The Scream by Munch (1893)
The Scream, by Edvard Munch, created in 1893, is an oil on canvas painting housed in the National Museum of Oslo.
Description
In the foreground, a person with hands on their head emits a scream of anguish that seems to be transmitted to the unrealistic environment. This environment is completely subjective, formed by land, sea, and sky, except for the two people at the end of the bridge, who are outside the situation. Color is the predominant element; ranges are contrasted,
Read MoreItalian Renaissance Painting: Quattrocento and Cinquecento
**Painting of the Quattrocento**
The roots of Renaissance painting are found in the art of Giotto. In this century, the altarpiece disappears, and with it, the subordination of the subject to a set. Without failing to have a constant presence, the religious theme is treated as profane. The landscape theme, idealized beauty, the volume of the shapes, and spatial sense are the cardinal dimensions of Renaissance painting. In the fifteenth century, drawing is a crucial element. This results in an appearance
Read More