Quattrocento: Italian Renaissance Architecture and Sculpture
Quattrocento Architecture
The Quattrocento architectural renaissance saw the use of traditional building and decorative elements. The half-point arch, columns and pilasters with the classical orders, barrel vaults decorated with moldings, and half-domes were used extensively, although with some freedom, especially in decoration. Thus, the most complete fantasy reigns in the decoration of “grotesques,” which merges plant, animal, and human forms. Facades and floor plans were calculated for effects
Read MoreMonet’s Impression, Sunrise: Analysis and Context
Impression, Sunrise: A Detailed Analysis
Artist: Claude Monet
Date: 1872
Style: Impressionism
Technique: Oil on canvas
Dimensions: 48 cm x 63 cm
Current Location: Musée Marmottan
Technical and Formal Analysis
Technical Elements
This oil on canvas painting uses a range of pink and blue hues to capture the morning atmosphere. The reflection of the sun adds vibrancy, with red outlines enhancing the scene. The brushstrokes are loose, wide, and long, and the light is natural daylight. The perspective is blurred,
Catalan Romanesque and Gothic Architecture: Churches and Art
Cardona: Church Basilica Plan
Characteristics: Church basilica plan, three naves, semicircular apse, surplus three.
Materials: The stone is linked with lime mortar. Stone covering of the dome and the returning cruise of the arches and narthex.
Supporting elements: Thick walls, also some small spurs, midfield pillars. The interior seems clear and illuminated.
This religious building was under the political influence of Abbot Oliva, bishop and counselor of Catalonia. It constructs a new level but does
Read MoreMajor Art Movements: From Abstract to Surrealism
Abstract Art
Abstract Art is art that ignores all figuration. It is characterized by maintaining a set of lines, colors, and shapes without any relation to identifiable forms. It can adequately express inner emotions and suggestions.
Example: Kandinsky
Bauhaus
The Bauhaus was an art and architecture school founded by Walter Gropius. His successor was Mies van der Rohe in 1928. Its program was to restore unity and harmony of effect to distinct art activities, transforming them into something completely
Read MoreSpanish Theater in the Early 20th Century: 1900-1936
Introduction
In late 19th-century Spain, the naturalist aesthetic, based on the reflection of environments and human problems, emerged. These new ideas found a very receptive audience and a stagnant theatrical structure. The Spanish theater of the first third of the century is divided into commercial theater, which reached the public and bourgeois triumphs, and innovative theater, bringing new techniques and ideological approaches, but it was a minority. Also of interest is the verse drama by Eduardo
Read MoreImpressionism and Cubism: Pioneers of Modern Art
Impressionism: Monet, Renoir, and Degas
The term *Impressionist* was first used by Louis Leroy in a commentary on a landscape by Claude Monet entitled *Impression, Sunrise*, which depicts the birth of the sun. Monet, Renoir, and Degas sought to capture nature as they perceived it, without any underlying moral messages. Their method involved painting outdoors, as opposed to indoors in a workshop. This allowed them to observe how an object changes under different light conditions throughout the day,
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