Impressionism: A Revolution in Art and the Birth of Modern Painting
The Rise of Impressionism: A Revolution in 19th-Century Art
The French bourgeois revolution achieved its goals, which were already well consolidated. The development of capitalism and industrialization meant that the upper and middle classes were going to collect the field. The Academy organized art, and the artist had no direct relationship with the buyer. The Academy ordered customers, and this was carried out through a set of fixed rules. The artist had to work with a theme that could be tied
Read MoreKey Concepts in Language, Literature, and Pre-Renaissance Spain
Conversations
Conversations: Oral texts are unresponsive to pre-planning or pre-arrangement.
- Structure: Based on the turns of speech that are not granted in advance and are being taken or ordered through different verbal and nonverbal resources.
- Verbal features: The appellate function that serves to draw attention to the other and the phatic that verify the operation of the canal.
There is a flexible use of language. Speakers adapt their speech to the communicative situation, using a colloquial register.
Read MoreRomanesque and Gothic Art: Architecture, Sculpture, and Painting
General Features of Romanesque Architecture
- The architectural contribution is fundamental in the Romanesque, contingent upon the sculpture and painting.
- Almost all the elements of Romanesque architecture (ashlar walls, columns and pillars, arches, barrel vaults) can be found in the previous styles, but now appear with a new spirit, importing more space to their formal appearance.
- Most of the buildings are religious buildings, churches, cathedrals, and monasteries.
- Although there are plenty of civilian
Rodin’s The Thinker and Cézanne’s The Card Players
Rodin’s The Thinker
Material and Technique
Material: Bronze (an alloy of copper and tin), a durable material often cast using the lost wax technique. This involves creating a mold and coating it with clay or another refractory substance. Molten bronze is then poured in, melting the wax and taking its place. Rodin introduced variations to this process, such as adding texture to the fingers and hands for a rougher surface.
Form and Dimensions
Form: Free-standing sculpture, viewable from all angles.
Type:
Venus in Art: Carracci, Titian, Rubens, and Velázquez
Venus with Satyr and Cupids, A. Carracci, 1588
It’s in Venice (influenced by Venetian masters). From a compositional point of view, the composition is Mannerist. The bed in the foreground, upon which Venus rests, supports this rotation; this way, the scene would continue into our space. A cut scene in the foreground, in the Mannerist style, allows us to focus on the naked body of Venus, also in the foreground. We begin to find those contradictions: mythological paintings often give them a moralizing
Masterpieces of Modern Art: Braque, Kandinsky, and Mondrian
Landscape at L’Estaque
Author: Georges Braque
Year: 1908
Style: Cubist
Technique: Oil on Canvas
Subject: Landscape
Location: Kunstmuseum (Bern)
Georges Braque, alongside Picasso, was one of the most prominent artists of Cubism. After some early works close to Fauvism, in 1907 his work shifted towards geometrization, influenced by the Cézanne exhibition in Paris and his relationship with Picasso. Together, they experimented with the technique of collage, creating works very similar in thematic and formal
Read More