Joan Maragall’s Poetry: Canigó, Ode to Spain, and More

Joan Maragall’s Poetry

JV (Canigó) was published as an epilogue and contains ten songs. S. Miquel Bell appears on the thigh, and S. Martí Canigó Abbeys of Marcevol and Serrabona. Catalonia km explains the birth of a nation, speaking both of the first bell and the other, the unfortunate hopeful. There were floral games held in 1902, and MCiL won. It is a quintet, 21 stanzas, verses decasíl·labs, verse 10a, b, a, b. It has three parts: trcerav91 second vol.36. (by the sea, Caldes Estrac of the

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Analysis of Poems and Literary Excerpts

Analysis of Literary Works

W. B. Yeats, “He Bids Beloved Be at Peace” (1899)

I hear the Shadowy Horses, their long (first lines)

HE BIDS BELOVED BE AT PEACE 1899, W. B. YEATS

The poet insists on a surprising dual invocation for horses. As the cardinal directions, they carry Apollo’s chariot (the sun) in the first six lines, even though they seem to be `shadowy horses’ of night. In the next six lines, they become `the horses of disaster.’ Yeats is pleasantly vague, but they have apparently transformed

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Passive Voice: Morphology, Syntax, and Semantics

Passive Voice

Passive Voice (PV) is a complex linguistic phenomenon that can be defined at several levels:

Morphological Level

At the morphological level, the PV markers are attached to the lexical verb (the auxiliary verb BE and the affix -EN), showing the past participle of the lexical verb.

John wrote the letter. (Active voice) S+V+DO

The letter was written by John. (Passive voice)

Syntactic Level

At the syntactic level, the active Subject (S) and Direct Object (DO) change their position and status.

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Analyzing Rafael Alberti’s ‘Nocturnal’: A Poem of Repression

‘Nocturnal’ is a poem by Rafael Alberti, a writer of the Generation of ’27, written during the Franco regime and the suppression of freedom of expression in the post-war era. The characteristics of this movement include admiration for literature, the search for beauty through imagery, and expressions of helplessness and anger.

Theme: Social Problems and Lack of Freedom

The central theme of this poem is the social problems experienced at that time and the lack of freedom of expression. Let’s analyze

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Garcilaso de la Vega and San Juan de la Cruz: Spanish Renaissance Poetry

Garcilaso de la Vega

Garcilaso de la Vega’s poetic career can be divided into three creative periods:

  • The first period shows the influence of song-poetry, with compositions alternating between octosyllabic and the first Italian forms. His verses from this period lack Petrarchan elements, but abound in topics of *cancionero* love poetry, often employing puns.
  • The second stage is characterized by the internalization of Petrarchan love. He describes his feelings of love and uses nature as a framework
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Late Romanticism in Spanish Literature: Bécquer and Rosalía de Castro

Late Romanticism: Mid-19th Century

In the second half of the 19th century, there were great poets who represented a continuation and evolution of Romanticism.

Late Romanticism: Bécquer and Rosalía de Castro

Authors such as Gertrudis Gómez de Avellaneda or Carolina Coronado eliminated the exaggerated rhetoric and shaped a new lyrical expression fully based on naturalness and balance of images, thoughts, and emotion. In the same metric as other romantics, they combined various meters and stanzas (

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