Baroque Music: Forms, Composers, and Evolution

Baroque Music

1600

Musical Forms

Overtures: Introductory pieces. There are two main types:

  • French Overture (3 sections)
  • Neapolitan Overture (by Alexander Scarlatti): Slow-Fast-Slow

Suite: A combination of dances originating in the Renaissance. It typically includes:

  • Allemande (moderate speed)
  • Sarabande (slower and more solemn)
  • Courante (faster)
  • Gigue (fast)

These dances have different rhythms, origins, and characteristics. A Minuet could also be added.

Notable examples are the four suites by Johann Sebastian

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Puccini, Strauss, Debussy, and Ravel: A Comparison of Operas

Operas of Puccini, Strauss, Debussy, and Ravel

Giacomo Puccini (1858-1924)

Giacomo Puccini, the most successful Italian opera composer after Verdi, was the son of a church organist and composer. Initially expected to follow in his father’s footsteps, he chose to focus on opera, studying at the conservatory in Milan.

Puccini gained attention with his first opera, Le Villi, in 1884. His third opera, Manon Lescaut (1893), catapulted him to international fame. Over the next three decades, he produced nine

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West African and Caribbean Music: A Rhythmic Journey

West African and Caribbean Music

Mami Wata – Kwaa Mensah, Ghana. West African pop, Palmwine – Ghanaian highlife and Nigerian juju music. Two-finger guitar style of Liberian Kru sailors, (mostly Caribbean) and local musical elements. Mami Wata is a water spirit.

Taxi Driver – Bobby Benson (1950s) Nigeria. Classic in West Africa, Golden Age of dance-band highlife in Nigeria. Jazz swing instrumentation and big band Caribbean rhythms (calypso). Benson was a multi-instrumentalist and composer. His Trumpeter,

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Don’t Cry (Acoustic) – Guitar Tabs and Chords

Don’t Cry (Acoustic)

Introduction (continues throughout the song) – Darlon Costa Duarte

Part 1

          Am               Dm                G                    C      
                                                              
e|-----------0---------|-------1------|---------3-------|---------------------|
B|-------------1-------|-----3---3----|-----------3-----|---------------------|
G|--------2------2-----|---2-------2--|------0------0---|------0-----0--------|
D|------2----------0---|-0----
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Baroque Music: Characteristics and Forms

The Baroque era began in the late sixteenth century, as Europe underwent a social and economic crisis that shook the Renaissance order. This situation favored a change in mentality, which led to the beginning of the Baroque period. At this time, absolute monarchies thrived, and the people and the bourgeoisie accepted the monarch’s authority. In the field of religion, the Counter-Reformation continued to preside during the Baroque period.

Characteristics of Baroque Music:

  • A desire for splendor, artifice,
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Traditional Music: India, Indonesia, and China

Musicology and Ethnomusicology

Musicology, as a discipline, has studied the sources of music. Comparative musicology was created by the interest in folklore and ethnomusicology, and exotic music. Ethnomusicology is the study of traditional music and instruments from all cultures: classical music, folk, and cultured music with long traditions; popular music; and the evolution of music, which occurred in centers related to civilian and religious targets. A public has grown for folk music that developed

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