San Manuel Bueno, Martyr: A Tale of Faith and Illusion
San Manuel Bueno, Martyr: Structure
Narration and Narrative Technique
The narrative employs the “found manuscript” technique, reminiscent of Cervantes, creating a split between the author (Unamuno) and the reader. The story unfolds from Angela’s perspective.
External Structure
The novel comprises 25 sequences. The first 24 narrate Angela’s story, while the last serves as an epilogue by the author.
Internal Structure
The story unfolds in three parts, followed by the author’s epilogue:
- Sequences 1-8: Preliminary
Spanish Literature: From La Celestina to the Renaissance
La Celestina (1499)
Published in Burgos
This work, containing 21 acts, was written by Fernando de Rojas. The dramatic action is divided into a prologue and two parts: the first up to Act XIV and the second from Act XV onwards.
Characters
The characters are unique creations:
- Calisto: Dominated by the passion of love, he is portrayed as melancholic and withdrawn at times, and exalted and angry at others. He is insecure, lazy, egotistical, and amoral.
- Melibea: Initially rejects Calisto, but later gives herself
Love in the Golden Age: From Petrarchan Ideal to Mystical Union
Love in the Golden Age
A. The Petrarchan Ideal: Idealization of Love
The Golden Age’s concept of love begins with Petrarch, who combines two similar philosophies: Cortezia and Neoplatonism.
1. Cortezia
This represents an impossible, unattainable love directed towards a superior woman. Unrequited and unconsummated, this love remains secret.
2. Neoplatonism
This philosophy views the world as a reflection of supreme beauty. Exiled humans should strive for happiness through love and contemplation of beauty,
Read MoreJoan Oliver’s Catalan Theater: A Critical Analysis
Joan Oliver’s Catalan Theater
Bourgeois Comedy and Social Criticism
Bourgeois comedy emerged in 19th-century France as a successful formula for dramatic theater. This “well-made play” structure entertained the bourgeoisie while reinforcing their ideology. It is a genre known for its careful construction and impactful effects.
Frivolous vs. Critical Theater
In contrast to frivolous, French-inspired “magazine” plays showcasing societal vices, a more critical form of theater emerged. This genre offered
Read MoreOrigins & Evolution of Christianity in the Middle Ages
Origins of Christianity
Christianity originated in 1st century Palestine, Israel. It derived from Judaism, adopting its monotheistic principles. The faith is based on Jesus Christ’s message. The Holy book is the Bible, specifically the New Testament.
Expansion of Christianity:
- Dissemination by apostles and missionaries.
- Expansion through the Roman Empire.
Initially persecuted by the Romans, Christianity became the official religion under Emperor Constantine in 313 AD. Rome became the capital city of
Read MoreThe Tragedy of Antonio Buero Vallejo: A Critical Analysis
The Tragedy of Antonio Buero Vallejo
1. Synthesis of Realism and Symbolism
Buero Vallejo’s tragedies seek to synthesize realism and symbolism to transform the viewer’s relationship with historical reality. His dramas explore the conflict between active and contemplative characters, highlighting the potential for moral improvement.
2. Dreamers vs. Active Characters
A central theme in Buero Vallejo’s work is the opposition between dreamers and active characters. The ideal is a dialectical synthesis, a
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