The Musical Journey of Jorge Drexler: From Uruguay to the World
Silvio, Pablo Milanes, Vicente Feliu, among others.
Sway (1996) with a mix of issues and edited and new ones. His songs were recorded by Ana Belen, Victor Manuel y Pablo Milanes, Ana Torroja, Ketama, and Rosario, among others.
No Rain (1998), disc uneven, but search, especially in the musical, which would be the prelude to Frontier, (1999) work which demonstrated some of its archetypal themes, begins to incorporate sounds of their culture and with electronics. It displays a maturity in points among which especially the one that has been ranked as one of his best songs, The age of the sky.
NOAEL (2001) surprised by the style of their arrangements to which the fusion of guitars with electronics, achieved a result that fascinated audiences captivated by Drexler and persuaded those who had not yet heard.
What to discover Drexler?
It is the singer of the century, perhaps as Paulino Moska, Kevin Johansen, Andres Calamaro, or Chileans or Leo Quinteros Nano Stern.
Her main influences are Serrat, Kilo Veneno, Enrique Morente, Leonard Cohen, and Uruguayan Jaime Roos, Fernando Cabrera, Bob Dylan, The Beatles, Joao Gilberto, Chico Buarque, Spinertta, Silvio Rodríguez, among others.
The singer is not haughty, moaner, but appeals to other emotions but questions, describes emerging issues (identity, the cultural mix, the blindness of religion, globalization, computer intrusion, racism, light and dark sides of everyday life, indifference.
His kindness, his sweet singing, almost naive, and child and captivates spread. Like his melodic balance. Do not cry, sing in my ear, talk more. There is tension in their songs, but small stories, minimum, in the manner of Brazilians.
It describes how a psychologist who dives into the inner mind and exposes the true feelings of what happens, the fragility and complexity of life.
Surprised his honesty, elegance and balance simple but profound poetic sense.
Identity, despite its internationalization, continues his playing of Uruguay and Latin America.
His most political. Are “The pianist in the Warsaw ghetto” and “Milonga del moro Jew”
And musically?
He started with classical guitar, but on the hard Frontera, began to make novel combinations with cutting edge electronics using rhythmic loops, samples, scratch and sound effects are used by dj’s.
A songwriter who admits he likes composing with the computer, sees it as a poetic tool, a sign of the times and time. A traditional element
Commends the work of the sound of Portishead, Bjork, Massive Attack and Tricky.
To work on electronic song format, which has another need for text, the more diluted, sometimes an epigram, a phrase that can mean everything, economically.
The use of electronics is sober, elegant and balanced. The song’s infidelity information-age,
Screensavers and hours.