The Spanish Essay: History, Evolution, and Key Figures

The Spanish Essay: A Historical Overview

Origins and Early Development

The Spanish essay, with its theoretical, suggestive, and interpretive nature, has its roots in Greco-Roman literature, particularly in works like Plato’s Dialogues, Marcus Aurelius’ Meditations, and Seneca’s Epistles to Lucilius. However, it wasn’t until the Renaissance that the essay as we know it began to take shape. In Spain, Fray Antonio de Guevara is considered a precursor of the genre, with later contributions from Quevedo, Gracian, and Saavedra Fajardo.

The 19th Century: A Period of Transformation

First Half of the 19th Century

The first half of the 19th century saw the rise of Mariano José de Larra, a follower of Enlightenment ideology who championed progress and modernization in Spain through his essays.

Second Half of the 19th Century

The latter half of the century was marked by the influence of Krausism and Regenerationism. Key figures included Julian Sanz del Rio, Francisco Giner de los Rios, and Joaquin Costa, who used the essay to address Spain’s social and political challenges.

The Generation of ’98: A Critical Eye on Spain

The Generation of ’98, a group of writers and intellectuals deeply concerned about Spain’s future, employed the essay to express their anxieties and hopes for the nation.

Miguel de Unamuno

Miguel de Unamuno’s essays grappled with the problem of Spain and the anguish of human existence. He advocated for a blend of tradition and Europeanization as a solution to Spain’s woes, emphasizing the importance of “intrahistoria,” the quiet and anonymous life of the Spanish people. His major works, The Tragic Sense of Life and The Agony of Christianity, explored the conflicts between reason and faith.

José Martínez Ruiz ‘Azorín’

Azorín’s essays covered a wide range of topics, including the Spanish landscape, literary criticism, and political reflection. His political views evolved from initial anarchism to a more moderate stance in his later years.

The Essay in the 1940s and 1950s: Navigating Dictatorship and Change

During the 1940s, the essay was inevitably influenced by the political and ideological climate of the Franco dictatorship. However, the 1950s witnessed a shift, with essays exploring critical topics and dissenting viewpoints. Prominent essayists of this period included Pedro Lain Entralgo and Julian Marías.

Pedro Lain Entralgo

Entralgo’s intellectual journey took him from Falangism to more liberal positions. His essays delved into religious belief, friendship, and the liberal spirit.

Julián Marías

Marías, a disciple of José Ortega y Gasset, analyzed and disseminated Ortega’s work. His most significant contribution is Metaphysical Anthropology.

The Essay in Exile: Reflections from Afar

The Spanish Civil War forced many intellectuals and writers into exile, primarily in Latin America. A common theme in their essays was the exploration of Spain’s historical and cultural identity.

María Zambrano

A disciple of Ortega y Gasset, María Zambrano’s essays reflected on Spanish history, the Civil War experience, and literature. Her philosophical inquiries revolved around themes like communication, love, memory, and the pursuit of truth. Her notable works include Man and the Divine.

Francisco Ayala

Francisco Ayala’s essays focused on liberalism, the situation in Spain, and the role of sociology in modern society. His key works include Reason in the World, a treatise on sociology.

The Essay from the 1960s Onward: New Influences and Directions

Several factors shaped the essay genre from the 1960s onward:

  • The development of the human sciences
  • The reception of European and American thought
  • The emergence of influential journals and publishers

Political and doctrinal essays analyzing Spain’s intellectual history, its liberal past, and the experience of exile became prevalent. With the establishment of democracy after Franco’s death, the emphasis on ideological essays diminished, giving way to ethical and aesthetic reflections. From the 1980s, a progressive approach to the essay, blending literary and journalistic styles, gained prominence.