The Ultimate Guide to Television Production Teams and Their Roles
Television Production Teams and Roles
Director Team
Director
The Director is the captain of the ship, responsible for the overall creative vision and execution of the production. They maintain contact with key personnel like producers, lighting designers, sound engineers, and stage managers. The Director determines the artistic interpretation of the script, manages the budget, and oversees all technical and artistic teams.
- Develops and plans the technical script
- Coordinates staging, recording, editing, and sound
- Sets selection criteria for actors
- Supervises location scouting, lighting, camera angles, and characterization
Assistant Director
The Assistant Director (AD) is the Director’s right hand, assisting in all aspects of preparation, recording, editing, sound, and broadcasting. They act as a liaison between the Director and the production team, ensuring smooth communication and coordination.
- Collaborates on program preparation and execution
- Sets communication channels with the production team
- Provides direct support to the Director
Stage Management
Stage Manager
The Stage Manager is responsible for the smooth running of the production on set. They ensure that everything runs according to schedule and that all cues are executed correctly. They are also responsible for maintaining order and discipline on set.
- Maintains recording order based on control room instructions
- Follows guidelines established by the Director
- Uses hand signals to communicate with actors, announcers, technical staff, and the audience
Vision Mixer
The Vision Mixer operates the video switcher, following the instructions of the Director or Assistant Director. They are responsible for selecting and combining different video sources to create the final output.
- Operates image blending equipment
- Follows instructions from the Director or Assistant Director
- Selects and blends video sources for seamless transitions
Camera Team
Camera Operator
The Camera Operator is responsible for capturing the images that will be seen on screen. They work closely with the Director to achieve the desired shots and angles. They may operate handheld cameras, tripods, or other camera support systems.
- Captures images using various camera setups
- Follows instructions from the Director, Producer, or Editor
- Operates cameras on tripods, dollies, cranes, and other equipment
Assistant Camera
The Assistant Camera (AC) assists the Camera Operator in setting up and operating the camera. They may also be responsible for loading film, maintaining camera equipment, and managing camera logs.
Steadicam Operator
The Steadicam Operator is a specialized camera operator who uses a Steadicam rig to capture smooth, fluid shots while moving freely on set. They are often used for action sequences, walk-and-talks, and other shots that require dynamic movement.
Sound Team
Sound Charge
The Sound Charge is the head of the sound department, responsible for all aspects of sound recording and mixing. They have a deep understanding of analog and digital audio techniques, acoustics, and music production.
- Leads sound recording operations
- Possesses expertise in analog and digital audio techniques
- Manages sound equipment and personnel
Sound Operator
The Sound Operator is responsible for operating the sound recording equipment on set. They work closely with the Sound Mixer to ensure that all audio is captured clearly and at the correct levels.
- Plans and sets up audio equipment
- Understands audio signal flow and technical specifications
- Operates audio mixers and adjusts sound sources
Sound Assistant (Boom Operator)
The Sound Assistant, often referred to as the Boom Operator, assists the Sound Operator in capturing audio. They are responsible for positioning microphones, running cables, and troubleshooting sound issues.
- Supports the Sound Operator in all tasks
- Maintains and adjusts sound equipment
Production Sound Mixer
The Production Sound Mixer is responsible for recording and balancing all sound on set. They operate a portable audio mixer and work closely with the Director and Sound Recordist to achieve the desired sound for the production.
Boom Operator
The Boom Operator is responsible for positioning the microphone boom to capture dialogue and other sounds on set. They work closely with the Sound Mixer to ensure that the microphone is always in the optimal position.
Scenic Design Team
Scenic Designer
The Scenic Designer is responsible for the overall look and feel of the sets. They work closely with the Director to create environments that support the story and enhance the visual appeal of the production.
- Oversees all aspects of set design and decoration
- Collaborates with the Director on the visual style
- Manages budgets and deadlines
Assistant Scenic Designer
The Assistant Scenic Designer supports the Scenic Designer in all aspects of set design. They may be responsible for drafting, sourcing materials, and overseeing the construction of sets.
- Executes tasks assigned by the Scenic Designer
- Takes measurements and prepares material lists
Set Dresser
The Set Dresser is responsible for decorating the sets with furniture, props, and other items to create a realistic and believable environment. They work closely with the Scenic Designer to achieve the desired look and feel.
- Studies the script and interprets the Set Designer’s vision
- Selects and arranges furniture, props, and set elements
Set Dresser Assistant
The Set Dresser Assistant helps the Set Dresser with all aspects of set dressing. They may be responsible for moving furniture, unpacking props, and keeping the set organized.
- Prepares and arranges materials for set dressing
Scenic Artist
The Scenic Artist is responsible for painting backdrops, murals, and other scenic elements. They work closely with the Scenic Designer to create realistic and visually appealing backgrounds for the production.
- Paints backdrops and scenic elements
- Creates realistic environments and special effects
Model Maker
The Model Maker creates miniature versions of sets, props, and other elements for use in pre-visualization and special effects shots. They work closely with the Art Director and Special Effects Supervisor to ensure that the models meet the needs of the production.
- Constructs miniature sets and props
- Pays meticulous attention to detail and scale
Costume and Makeup Team
Costume Designer
The Costume Designer is responsible for the overall look of the characters’ costumes. They work closely with the Director and actors to create costumes that are both visually appealing and appropriate for the characters and the story.
- Studies the script and collaborates with the Set Designer
- Designs and selects costumes for all characters
Costume Supervisor
The Costume Supervisor oversees the wardrobe department and ensures that all costumes are properly maintained, fitted, and organized. They work closely with the Costume Designer and Costume Assistants to ensure that all costume needs are met.
Costume Assistant
The Costume Assistant helps the Costume Designer and Costume Supervisor with all aspects of costume design and preparation. They may be responsible for sourcing fabrics, sewing, alterations, and organizing the costume department.
- Assists the Costume Designer with all tasks
- May be responsible for sewing, alterations, and fittings
Makeup Artist
The Makeup Artist applies makeup to actors to enhance their features, create special effects, or transform their appearance to fit their characters. They work closely with the Director and actors to achieve the desired look.
Makeup Assistant
The Makeup Assistant helps the Makeup Artist with all aspects of makeup application. They may be responsible for prepping the actors’ skin, cleaning brushes, and organizing makeup supplies.
Hair Stylist
The Hair Stylist is responsible for styling the actors’ hair to fit their characters and the time period of the production. They work closely with the Director and actors to achieve the desired look.
Hair Stylist Assistant
The Hair Stylist Assistant helps the Hair Stylist with all aspects of hair styling. They may be responsible for washing and conditioning hair, prepping wigs, and maintaining hair styling tools.
Editorial Team
Editor (Informative)
The Editor is responsible for assembling the footage shot by the Camera Team into a cohesive and engaging story. They work closely with the Director to achieve the desired pace, tone, and emotional impact.
- Responsible for the content and flow of programs
- Coordinates with a large team to ensure smooth operation
Editor (News)
The News Editor is responsible for overseeing the editorial content of news programs. They work closely with reporters, writers, and producers to determine which stories to cover and how to present them to the audience.
- Analyzes information content and makes decisions on information dissemination
- Directs, supervises, and coordinates the editorial team
Reporter
The Reporter is responsible for gathering information, conducting interviews, and presenting news stories. They work closely with the News Editor and Camera Operator to deliver accurate and timely news coverage.
- Collects data and prepares content from various sources
- Collaborates closely with the Camera Operator
Graphic Design Team
Graphic Designer
The Graphic Designer creates visual elements for the production, such as logos, titles, and on-screen graphics. They work closely with the Director and Editor to ensure that the graphics are visually appealing and informative.
- Possesses expertise in design, drawing, lettering, and animation
- Creates visually appealing and informative graphics
Illustrator
The Illustrator creates drawings and illustrations for the production, which may be used for storyboards, concept art, or on-screen graphics. They work closely with the Art Director and Graphic Designer to bring their visions to life.
- Creates sketches and finished illustrations based on given ideas
- Contributes to the visual storytelling of the production
Motion Graphics Artist
The Motion Graphics Artist creates animated graphics and visual effects for the production. They work closely with the Editor and Graphic Designer to enhance the visual appeal and storytelling of the project.
Graphic Artist Assistant
The Graphic Artist Assistant provides support to the Graphic Designer and Illustrator. They may be responsible for preparing files, sourcing images, and assisting with the creation of graphics.
- Provides support to the Graphic Design team
Programming Team
Programmer
The Programmer is responsible for developing and implementing the software that controls the broadcast equipment. They work closely with the Engineering team to ensure that the broadcast runs smoothly and efficiently.
- Writes and presents program ideas to management
- Develops and implements software for broadcast equipment
Assistant Programmer
The Assistant Programmer supports the Programmer in all aspects of software development and implementation. They may be responsible for testing code, debugging software, and assisting with the installation of new equipment.
- Assists the Programmer in various tasks
- Participates in program development and idea generation
Other Essential Roles
Producer
The Producer oversees all aspects of the production, from development to distribution. They are responsible for securing funding, hiring the cast and crew, and ensuring that the project stays on schedule and within budget.
Executive Producer
The Executive Producer is typically an investor in the production and may have a say in the creative direction of the project. They are responsible for overseeing the Producer and ensuring that the production meets the expectations of the investors.
Line Producer
The Line Producer manages the day-to-day operations of the production. They work closely with the Producer and Director to create and manage the production schedule and budget.
Production Manager
The Production Manager oversees the logistics of the production, such as transportation, catering, and accommodations. They work closely with the Line Producer to ensure that the production runs smoothly and efficiently.
Location Manager
The Location Manager is responsible for scouting and securing locations for filming. They work closely with the Director and Producer to find locations that meet the needs of the production.
Casting Director
The Casting Director is responsible for finding actors to play the roles in the production. They work closely with the Director and Producer to hold auditions and select the best actors for the roles.
Production Assistant
The Production Assistant (PA) is an entry-level position that provides support to the production team. They may be responsible for running errands, getting coffee, making copies, and assisting with other tasks as needed.
Script Supervisor
The Script Supervisor keeps track of all changes made to the script during filming. They ensure continuity between takes and scenes, noting any deviations from the script and ensuring that the actors’ performances are consistent.
Gaffer
The Gaffer is the chief electrician on set and is responsible for designing and implementing the lighting plan for the production. They work closely with the Director of Photography to achieve the desired look and feel of the lighting.
Best Boy Electric
The Best Boy Electric is the Gaffer’s assistant and is responsible for overseeing the electrical crew and ensuring that all lighting equipment is set up and working properly.
Grip
Grips are responsible for moving and setting up camera equipment, such as dollies, cranes, and tripods. They work closely with the Camera Department to achieve the desired camera angles and movements.
Key Grip
The Key Grip is the head of the grip department and is responsible for overseeing the grip crew and ensuring that all camera equipment is set up and working properly.
Best Boy Grip
The Best Boy Grip is the Key Grip’s assistant and is responsible for overseeing the grip crew and ensuring that all grip equipment is set up and working properly.
Property Master
The Property Master is responsible for acquiring, managing, and maintaining all props used in the production. They work closely with the Set Decorator to ensure that all props are appropriate for the time period and style of the production.
Special Effects Supervisor
The Special Effects Supervisor is responsible for designing and implementing all practical special effects used in the production. They work closely with the Director and Stunt Coordinator to create safe and realistic effects.
Stunt Coordinator
The Stunt Coordinator is responsible for designing and coordinating all stunts performed in the production. They work closely with the Director and Special Effects Supervisor to ensure the safety of the stunt performers.
Transportation Coordinator
The Transportation Coordinator is responsible for managing all transportation needs for the production, including vehicles, drivers, and parking.
Craft Services
Craft Services provides food and beverages to the cast and crew throughout the production day.
Catering
Catering provides meals to the cast and crew during designated meal breaks.
Production Accountant
The Production Accountant manages the finances of the production, tracking expenses and ensuring that the production stays within budget.
Unit Publicist
The Unit Publicist is responsible for promoting the production to the media and generating positive press coverage.
Legal
The legal team ensures that the production complies with all legal requirements, such as obtaining permits and clearances.
Insurance
The insurance team provides insurance coverage for the production, protecting against potential risks and liabilities.
Post-Production Supervisor
The Post-Production Supervisor oversees all aspects of post-production, including editing, sound mixing, and visual effects.
Colorist
The Colorist is responsible for color grading the footage, ensuring that the colors are consistent and visually appealing.
Sound Designer
The Sound Designer creates the sound design for the production, including sound effects, foley, and music.
Composer
The Composer creates the original score for the production.
Re-recording Mixer
The Re-recording Mixer balances and combines all of the sound elements for the production, including dialogue, sound effects, music, and foley.
Foley Artist
The Foley Artist creates sound effects in sync with the picture, such as footsteps, cloth movement, and props handling.
Dialogue Editor
The Dialogue Editor edits and cleans up the dialogue tracks, ensuring that the dialogue is clear and easy to understand.
Sound Effects Editor
The Sound Effects Editor edits and places sound effects into the production, enhancing the realism and impact of the sound design.
Music Editor
The Music Editor edits and places music into the production, working closely with the Composer and Director to create the desired emotional impact.
Title Designer
The Title Designer creates the opening and closing titles for the production, as well as any other on-screen text.
Visual Effects Supervisor
The Visual Effects Supervisor oversees the creation of all visual effects for the production.
Visual Effects Artist
The Visual Effects Artist creates visual effects for the production, using computer-generated imagery (CGI) and other techniques.
Compositor
The Compositor combines all of the visual elements for the production, including live-action footage, visual effects, and graphics.
Online Editor
The Online Editor creates the final version of the production, ensuring that all of the technical specifications are met for broadcast or distribution.
Delivery
The Delivery team is responsible for delivering the final production to the client or distributor.
Marketing and Distribution
The Marketing and Distribution team is responsible for promoting and distributing the finished production to audiences.
Audience
The audience is the most important part of the production process, as they are the ones who will ultimately watch and enjoy the finished product.
Feedback
Feedback from the audience, critics, and industry professionals is essential for the growth and improvement of future productions.
Collaboration
Television production is a highly collaborative process, requiring the skills and talents of a diverse team of individuals working together towards a common goal.
Passion
Passion for storytelling, creativity, and the art of filmmaking is essential for success in the television production industry.
Technology
Advancements in technology continue to shape and evolve the television production landscape, offering new possibilities for creativity and innovation.
Storytelling
At its core, television production is about telling compelling stories that entertain, inform, and inspire audiences worldwide.
Impact
on the image. ELECTRICITY: The charge of the installation, assembly and connection of light sources such as projectors, lamps, tripods, sleeves, junction boxes. Genset CHARGE: Take care of your computer’s security. MACHINIST: Its key features highlights give the film slate, deals with the motion of traveling, handling dollies and cranes, assists the valet and mounted and dismounted platforms, cranes. EQUIPMENT CHAMBERS: They are responsible for the management and proper maintenance camera equipment. Follow the orders of the director. OPERATOR ENG: He is in charge of capturing images with hand-held camera, mounted on a tripod, stand, or any other mechanical assistant: crane, dolly, etc.. The operator follows the instructions of the director, producer or editor. CHAMBER OF STUDY: Follow the instructions and planning art marked by the director. The automation of image capture processes under study tends to replace these jobs. (it is customary for news programs are carried out if camera operators).Camera Operator, Assistant Camera, OPERATOR OF STEADY-CAM. Equipment: Is responsible for the voicing of any audiovisual product. Sound requires a great importance for the realization of a TV program. CHARGE OF SOUND: The head of the sound recording, has knowledge of analog and digital techniques, acoustics, musical knowledge. SOUND OPERATOR: Performs planning audio jacks, knows his fisici variables, necessary technical equipment and audio feedback, controls the operation of the mixer and adjusts sound sources according to the indications of the filmmaker. SOUND ASSISTANT: Assists the operator functions sound. Will maintain operational and adjustment of equipment in their charge. OFFICIAL SOUND: They are trained to perform basic sound operations and works with operators and managers in the sound processes. Microphone: Responsible for the installation of microphones and necessary lines so that is not on camera. GIRAFFE, OPERATOR OF SOUND AND VIDEO
ESCENOGRAFIA TEAM: One of the most numerous at the beginning of the program, from sets to props, through carpenters, moulders, painters, upholsterers, maquilladotes. For simplification speak of 4 different teams: sets, costumes, characterization and special effects. SCENOGRAPHIC: It belongs to the management team remains one of the most important jobs in the production of television programs. Must control all aspects concerning the style of decoration, makeup and hair, clothing. DECORATOR: Responsible for the creation of sets, setting, and the costumes and special effects suitable for the program. It is responsible for compliance with economic forecasts and deadlines contained in the plan of work, you dial the artistic director. ASSISTANT DECORATION: Execute the work assigned by the chief designer. Measurement efforts, preparation of lists of requirements for delivery to the producer. AMBIENTADOR: Study and interpretation of weather script conceived by the designer or decorator he chooses according to utillería elements, furniture, props in general, to meet the needs of the scene, within its authority conducting the ambience of the setting. AMBIENTE ASSISTANT OF SCENERY: Prepares and puts on stage the material needed for the setting of the sets. FORILLISTA: They are responsible for painting the backdrops or funds play through the windows of decoraos studies. Forillos represent the streets, courtyards, funds of cities, deserts, etc.. Layout: The models require great care and care for it is at play around the scenery which is then inserted into the imaging through an optical phenomenon . SPECIAL EFFECTS: Responsible for developing all special effects such as rain, fog, wind, etc.. Costumes: Study the script and, according to the guidelines of the achievements of the program and in collaboration with the set designer, set the types of characters. SASTRE: Responsible for the preparation of the costumes are going to use in production. Responsible for machine and hand sewing. Board, set jewelry, clothing or apparel test.Tailoring ASSISTANT: Assists the tailor all tasks to the team. In many productions figuration hire enough staff takes this mission. Characterization equipment, makeup and hair: Characterize, makeup, MAKEUP ASSISTANT, BARBER, HAIRDRESSER ASSISTANT. QUIPMENT EDITORIAL: it is present in most genera its presences essential for production. first thing they do is documented, using mainly external sources. From the information obtained, propose topics. EDITOR (informative): You are solely responsible for the content and ways in which these programs are developed. It is an editorial director who coordinates a device that requires hundreds of people for its proper functioning. EDITOR: Develop analytical work on information content, also taking the decision to issue the information or not. Directs, supervises and coordinates the editorial team in collaboration with other areas. EDITOR: Develop data collection and preparation of all types of content from press conferences, interviews and more. Cooperates closely with the cameraman. TEAM GRAPHIC: GRAPHIC DESIGNER: It’s the professional experience of design, drawing and lettering with knowledge of animation techniques will. Draw a picture-ILLUSTRATOR: The professional who, based on given a general idea in terms of line and content of work to be done will have under its jurisdiction, the implementation of sketches and finished illustrations of the various drawings and compositions comprising a work or phases of it. ROTULISTA: The professional, starting given a general idea as to the line of work made fonts, logos, logos, etc.., compositions of texts by the conventional or new technologies and develop productions that require aesthetic criteria. ASSISTANT GRAPHIC. TEAM PROGRAMMING: PROGRAM: Write your ideas and are presented to the management of programs or program director where you work. ASSISTANT PROGRAM: It participates in many events were derived from the program functions within the process involving the search and selection of ideas.