Traditional Music Around the World

Ethnomusicology: Traditional Music of the World

Ethnomusicology is a branch of musicology that studies the traditional musics of the world. It considers folklore, namely the people (set of customs and traditions), and documents for traditional music, which is a collective, rural, functional, and oral creation.

Asia

  • Music is closely tied to religion.
  • Eastern music systems are often based on sacred texts.
  • Improvisation is dominant.
  • Rhythmic and melodic patterns are common.
  • Characteristic vocal timbres are present.

China

  • Pentatonic scale music system.
  • Falsetto singing voice (sharp, nasal).
  • Instruments: qin (stretched zither), sheng (mouth organ), erhu (two-stringed violin), pipa and yueqin (lutes), di (flute), gongs, and bells.

Tibet

  • Timbre is severe and brutal.
  • A sustained, serious note is held above the melody.
  • Instruments: Tibetan trumpets.

Japan

  • Pentatonic scale.
  • Instruments: koto (zither), shamisen (lute), shakuhachi (flute), taiko (drum).

India

  • Musical intervals are smaller than a semitone.
  • Melody: ragas (special scales).
  • Pace: talas (fixed patterns).
  • Instruments: sitar and vina (string), pungi and bansuri (wind), tabla and ghatam (percussion).

Indonesia

  • Characteristics of music played by the gamelan (percussion ensemble).
  • Instruments: gong ageng, gender (metallophone).

Africa

  • North: Morocco-Egypt (Arabic).
  • Sub-Saharan (Black).

North Africa

  • Monodic with vocal melisma.
  • Scales: Maqamat (intervals smaller than a semitone).
  • Voice doubled by stringed instruments.
  • Instruments: rebab (string), alagaita and nay (wind), and bendir, darbuka (percussion).

Sub-Saharan Africa

  • Music is used in daily events.
  • Ritual or oral value, inseparable from dance.
  • Polyrhythm and ostinatos.
  • Unique vocal polyphony.
  • Instruments: kora and musical bow (string), animal horn (wind), balafon (xylophone), sanza (thumb piano), shekere, kalangu, djembe (percussion).

America

North America

  • Traditional African music and songs of slaves led to blues and jazz.
  • European roots led to country music.
  • Instruments: banjo.

South America

Mexico
  • Rancheras: compositions accompanied by mariachi (guitars, violins, trumpets, and clarinets).
  • Corrido: Ballads, romantic heroic stories broadcast.
  • Huapango: couplets accompanied by jarana and requinto (guitars), harp, marimba.
The Caribbean
  • African roots (rhythm and percussion instruments).
  • European influence (dancehall instruments [guitar, harp, accordion]).
Cuba
  • Rhythmic and Afro-Cuban: Rumba, Son, Conga, Mambo, Salsa.
  • Slow and European: Habanera, Bolero, Trova.
  • Instruments: guitar (European), congas, maracas, claves, cowbells, guiro (Afro-Cuban).
  • Calypso: songs denouncing with humor.
  • Dominican Republic: Merengue.
Andean Region
  • Bolivia, Peru: Huayno.
  • Ecuador: Pasillo.
  • Chile: Cueca.
  • Instruments: pan flute and flute (wind), ocarina, charango, harp, drums, bass drums (percussion).
Argentina
  • Chacarera, Zamba, Gato, Milonga (sad and melancholic singing).
  • Tango (partner dance).
  • Carlos Gardel (singer).
  • Instruments: bandoneon.
Brazil
  • African and European influence.
  • Samba (arises in the slums of Rio).
  • Bossa Nova (quiet singing influenced by jazz).
  • Batucada (dance accompanied by percussion instruments).
  • Capoeira (martial art).
  • Instruments: berimbau (gourd bow), surdo (bass drum), repinique (drum), caixa (snare drum), tamborim (tambourine), cuica (membranophone), caxixi (rattle), agogo (double bell), reco-reco (scraper).