Understanding Literary Devices in Writing
Literary Devices: Definitions and Examples
Phonetic Level
NAME | EXAMPLE | EXPLANATION | ROLE |
Alliteration | It remains an open question how stammering… | Repetition of a single vowel or consonant phoneme. | |
Onomatopoeia | Uco, uco, uco, uco Bee-eater. | Imitation of real sounds through the use of certain phonemes. | |
Rhyme 1. Assonant 2. Consonant | Filled with water lilies (Assonant) He hit the back (Consonant) | Repetition of sounds from the last accented vowel. Assonant: Vowels and consonants Consonant: Only vowels |
Morphosyntactic Level
- Paronomasia: Here people live because they drink. Using words with a similar sound and different meaning.
- Anadiplosis: I would give anything / Anything throw. One verse begins with the same word ending earlier.
- Anaphora: Why this restless, burning desire / / Why this strange feeling and vague / /. Repeating the same word at the beginning of several lines or periods creates rhythmic musicality.
- Epanadiplosis: Green, green that I love you. Repeating the same word at the beginning and end of the verse.
- Reduplication: Rio Duero, Río Duero / No one to go with low. Repeating a term.
- Polypote:
- I have to give because you want / For though I hope not wait, just like you I love you.
- Caminante, no road, but wakes in the sea.
- Ellipsis: I have two children, one of four years, another three. Suppression of words without altering the understanding of the phrase creates speed and agility.
- Hyperbaton: Requested the keys to the niece of the room. Changing the order of words produces a surprise impact on the reader.
- Asyndeton: Come, run, fly… Suppression of conjunctions creates agility, speed, and resiliency.
- Polysyndeton: And the Holy One of Israel opened his hand / / and the left and fell into the cliff / / the cart and horse and rider. Unnecessary repetition of conjunctions creates solemnity and slowness.
Lexical-Semantic Level
NAME | EXAMPLE | EXPLANATION | OBJECTIVES |
Periphrasis | What did you do that log arch. As you tend the powerful arms (cross) | Circumlocution or Extension. | Delay, slowness. |
Irony | They ate a meal eternal without beginning or end (no food) | Meaning the opposite of what is said. | Achieve the purposes of criticism with intelligent humor. |
Hyperbole | There was a man with a nose attached. | Exaggeration | |
Personification | I hear the birds when they sing With a different voice grieved | Attributing human characteristics to inanimate or animated beings. | |
Antithesis | When I mourn, I do not cry And sometimes I cry without wanting | Opposition of two opposing ideas or thoughts. Association by contrast. | Emphasizes the contrast of light and shadows, like in paint. |
Paradox | Living without living in me And I hope life so high I die because I do not die | Juxtaposition of seemingly contradictory ideas. | |
Synesthesia | That the soul that can speak with your eyes / / We can also kiss with their eyes. How sad scent of jasmine! | Mixing or exchange of sensations (visual, auditory, olfactory) apart and between them and feelings. | |
Comparison | I pressed my voice As a belt around Verse. | Relationship of similarity between two elements or ideas. Comparative words are used, such as “as” or “like.” | |
Metaphor | Her parchment moon Preciosa comes playing The pearls of your mouth. | Comparison of one real and one imagined element without comparative links. | |
Metonymy | Respect their gray hair (his age) Greco has purchased a | Replacing the whole with the part, the effect with the cause. | Attempts to highlight the quality or appearance that matters most. |
Pleonasm | He saw with his own eyes I screamed with all my voice | Inclusion of an unnecessary, redundant element. | Expressive value. |
Graduation | Lofty wall, oh, oh, towers topped / / of honor, majesty, and bravery. | Series of thoughts or words presented in ascending or descending order. | Ascending: enthusiasm Descending: sadness. |
Rhetorical Question | What did that trovar, harping agreed musics? Will you love, a long goodbye that never ends? | Question for which no response is expected. |