Visual Communication: Models, Color Psychology, and Semiotics

Communication Models

Aristotle: Speaker → Message → Listener

Lasswell: Communication + Message + Medium + Audience = Impact

Shannon & Weaver: Information Source → Transmitter → Channel (Noise) → Receiver → Destination

Schramm’s: Encoder/Interpreter/Decoder → Message → D/I/E → Message…

Berlo’s: Source → (E) Message → Channel → (D) Receiver

Proposed: Sender; /\ Life Experience; Message; Noise; X Life Experience; Receiver, Amplified, Accepted; Rejected

Theoretical Foundation: Psychology, Theory of Meaning, VC/Philosophy, Aesthetics, References, Education…

Field: Cultural Context, Message Production, Message Reception, Practice

Visual Communication

What is Visual Communication? Target group to transfer emotional message; if nonverbal language; content of the image reads minds; transfer of ideas & information through images & typography that can be perceived by the target group.

Context? Human senses; culture; sources; aesthetics; media; technical quality; language; perceptual/emotional/thought process

Color Psychology

  • RED: Irritation, passion, emotion, appetite, shoppers, heart rate
  • WHITE: Purity, innocence
  • YELLOW: Movements
  • GREEN: Calmness, inner peace, tranquility, money & nature, new growth, rich people, fertility
  • BLUE: Focus, water, peace, serenity, curbs appetite, increase productivity, corporate business
  • BLACK: Mystery
  • GREY: Reticence, uncertainty
  • ORANGE: Excitement, enthusiasm, warns of caution, aggression, call to action, impulsive shop
  • PURPLE: Royalty, kings, beauty, creative, imaginative. Atmosphere (hot, cold) mood (quiet…)

Visual Perception

Informing: Cave paintings, petroglyphs, geoglyphs, pictograms (stone/mud, no color), ideograms (color, Egyptians), logograms (arrows/stripes)

How Do We Capture Pictures? External Stimulus, Sensory Data, Sensory Memory, Working Memory, Long-term Memory

How Do We Process? Perception helps us get information into the brain. Memory helps us understand it. Visual Perception combines interaction between both processes: bottom-up & top-down

Visual Effects: Similarity, consequence, connection, meaningfulness

  • Peirce: Icons, indexes & symbols have different perception levels (perception, physical connection & mental combining)
  • Saussure: The value of signs is derived from similarities & differences & relation to other signs in the system
  • Barthes: Denotation shows physical reality, whilst connotation shows the meaning implied by the viewer’s perception

Semiotics

Condensation: Process by which we combine elements of each sign to create a sign

Displacement: Process of transferring the meaning from one sign to another

Elements of Visual Communication

Dot, Lines, Shape:

  • Square: Static, boredom, honesty
  • Triangle: Activity, conflict, tension
  • Circle: Infinity, warmth, safety, calmness; abstract, natural, geometric

Volume, Scale, Spatiality, Balance (symmetric, asymmetric), Direction, Lighting (natural & artificial, flat ↓ difference, light-dark ↑ difference), Perspective, Proportions, Color

Metonymy: Switched, concept related

Metaphor: Transferred, = meaning, + attractive visually

Morphology and Semiology

What is Morphology? Makeup of morph- ‘shape, form’ -ology ‘the study of something’. All the things that you see which transmit a message without specially written text.

Semiology? Science of signs

Denotation: Objective point of view. 1st sense

Connotation: Subjective… Message on the picture, different according to the feeling

Composition

Color (warm, cold), Line (peace, stable; dynamism), Texture, Form, Volume

Gestalt Principles

People will naturally put different elements into an entirety before taking them like individual elements.

  • Proximity: Put elements together when they’re close
  • Similarity: By color/form
  • Closure: Fill the holes when forms are not close
  • Symmetry: Objects don’t look complete if they aren’t symmetric
  • Continuity: Follow direction
  • Perception: See different things according to the way you’re looking
  • Familiarity: Translate an image from our experience
  • Focal Point: Set in the center will attract all attention
  • Simplicity: Easier to understand if pictured in a simple way

Structure

Macrostructure: Position of the picture, text, typography

Microstructure: Analysis of the details in the picture. Harmony, rhythm, balance, dominance, ambiguity, contrast, unit